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dc.contributor.advisorNedělka, Michal
dc.creatorAgopian, Vartan
dc.date.accessioned2017-06-01T16:32:43Z
dc.date.available2017-06-01T16:32:43Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/20.500.11956/79544
dc.description.abstractArmenian music of today is largely influenced by Armenian folk music. Composers such as Sayat Nova and Gomidas Vartabed have left behind numerous tunes that are still sung today by Armenians whether in Armenia or the Armenian diaspora. This thesis comparatively analyzed piano arrangements of Armenian folk tunes by Armenian composers. The aim of this thesis is bifold: to find elements of piano arrangements that are commonly used by different composers and to introduce the riches of Armenian music to the Czech and International music communities. The comparative analyses revealed the existence of elements such as orchestral simulations, melodic and rhythmic variations, representations, composing introductions, and different accompaniment styles among the arragements of the same folk tunes by different composers or different folk tunes by the same composer at different levels of difficulty. Hence, the first aim of this thesis was verified, with the hopes of the second aim also being met and Armenian music being spread to all musical circles around the world. KEYWORDS Armenian music, folk tunes, arrangements, analysis, composersen_US
dc.languageEnglishcs_CZ
dc.language.isoen_US
dc.publisherUniverzita Karlova, Pedagogická fakultacs_CZ
dc.subjectArmenian musiccs_CZ
dc.subjectfolk tunescs_CZ
dc.subjectarrangementscs_CZ
dc.subjectanalysiscs_CZ
dc.subjectcomposerscs_CZ
dc.subjectArmenian musicen_US
dc.subjectfolk tunesen_US
dc.subjectarrangementsen_US
dc.subjectanalysisen_US
dc.subjectcomposersen_US
dc.titleComparative Analysis of Arrangements of Armenian Folk Tunes for the Piano by Armenian Composersen_US
dc.typediplomová prácecs_CZ
dcterms.created2016
dcterms.dateAccepted2016-05-23
dc.description.departmentKatedra hudební výchovycs_CZ
dc.description.facultyPedagogická fakultacs_CZ
dc.description.facultyFaculty of Educationen_US
dc.identifier.repId163672
dc.contributor.refereeGregor, Vít
dc.identifier.aleph002091839
thesis.degree.nameMgr.
thesis.degree.levelnavazující magisterskécs_CZ
thesis.degree.disciplineUčitelství všeobecně vzdělávacích předmětů pro základní školy a střední školy hudební výchova - hra na nástrojcs_CZ
thesis.degree.disciplineTraining Teachers of General Subjects at Lower and Higher Secondary Schools Music - Musical Instrumenten_US
thesis.degree.programUčitelství pro střední školycs_CZ
thesis.degree.programTeacher Training for Secondary Schoolsen_US
uk.thesis.typediplomová prácecs_CZ
uk.taxonomy.organization-csPedagogická fakulta::Katedra hudební výchovycs_CZ
uk.faculty-name.csPedagogická fakultacs_CZ
uk.faculty-name.enFaculty of Educationen_US
uk.faculty-abbr.csPedFcs_CZ
uk.degree-discipline.csUčitelství všeobecně vzdělávacích předmětů pro základní školy a střední školy hudební výchova - hra na nástrojcs_CZ
uk.degree-discipline.enTraining Teachers of General Subjects at Lower and Higher Secondary Schools Music - Musical Instrumenten_US
uk.degree-program.csUčitelství pro střední školycs_CZ
uk.degree-program.enTeacher Training for Secondary Schoolsen_US
thesis.grade.csVýborněcs_CZ
thesis.grade.enExcellenten_US
uk.abstract.enArmenian music of today is largely influenced by Armenian folk music. Composers such as Sayat Nova and Gomidas Vartabed have left behind numerous tunes that are still sung today by Armenians whether in Armenia or the Armenian diaspora. This thesis comparatively analyzed piano arrangements of Armenian folk tunes by Armenian composers. The aim of this thesis is bifold: to find elements of piano arrangements that are commonly used by different composers and to introduce the riches of Armenian music to the Czech and International music communities. The comparative analyses revealed the existence of elements such as orchestral simulations, melodic and rhythmic variations, representations, composing introductions, and different accompaniment styles among the arragements of the same folk tunes by different composers or different folk tunes by the same composer at different levels of difficulty. Hence, the first aim of this thesis was verified, with the hopes of the second aim also being met and Armenian music being spread to all musical circles around the world. KEYWORDS Armenian music, folk tunes, arrangements, analysis, composersen_US
uk.file-availabilityV
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Pedagogická fakulta, Katedra hudební výchovycs_CZ
dc.identifier.lisID990020918390106986


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