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dc.contributor.authorDuthille, Rémy
dc.date.accessioned2025-02-26T15:06:11Z
dc.date.available2025-02-26T15:06:11Z
dc.date.issued2024
dc.identifier.issn0862-8424
dc.identifier.urihttp://hdl.handle.net/20.500.11956/197297
dc.language.isoencs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectsatirecs
dc.subjectparodycs
dc.subjecttoastingcs
dc.subjectsociabilitycs
dc.subjectintertextualitycs
dc.titleToasting, Oratory and Parody in Britain during the French Revolutioncs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
uk.abstract.en: In keeping with recent historiography on the interplay of orality and literature in Romantic Britain, this article starts from the emergence of toasting in the early phase of the French Revolution as a new form of radical discourse, in the context of a budding public-dinner sociability. The main focus bears on conservative parodies of such radical toasting, in papers such as the Times and especially the Anti-Jacobin and Anti-Jacobin Review. Parody enabled conservatives to mimic republican and regicidal tropes in ways that were much more outrageous than the alleged radical originals, thus testing the limits of public speech in 1790s Pittite Britain. The article ends with a close reading of a particularly ornate parody, based on an ode by Horace, of the Duke of Norfolk’s notorious toast to “the Majesty of the People,” which symbolized, in the eyes of the selfstyled anti-Jacobins, the treachery and inconsequence of the Foxite Whigs in the 1790s.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doihttps://doi.org/10.14712/2571452X.2024.68.3
dc.description.startPage28cs
dc.description.endPage48cs
dcterms.isPartOf.nameLitteraria Pragensiala
dcterms.isPartOf.journalYear2024
dcterms.isPartOf.journalVolume2024
dcterms.isPartOf.journalIssue68
dcterms.isPartOf.issn2571-452X
dc.relation.isPartOfUrlhttp://litteraria-pragensia.ff.cuni.cz


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