Ročník 2024

Procházet dle

Datum publikování Klíčová slova Autoři Vedoucí práce

Sbírky fakulty / součásti

Číslo 68 [11]
Číslo 67 [9]

Issue 67

Poslední příspěvky

Notes on Contributors

Neznámý autor (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
“Inspiration’s darling child”: The Romantic Ode

Hamilton, Paul (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
Blake’s Public Addresses

Duff, David (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
Poetic/Rhetorical Ethos and the Performative Power of Words in the “French” Books of The Prelude

Bois, Catherine (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
“Religion’s firm-rooted truths”: Richard Polwhele, Pulpit Oratory and Loyalist Romanticism in the English Province

Moore, Dafydd (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
“An alarming state of affairs”: Rhetoric, Resistance and the Nation in Richard Brinsley Sheridan’s Speech of 20 April 1798

Jones, Robert W. (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
“The spouting rant of high-toned exclamation”: The Art of Oral/Aural Caricature in Paine’s Rights Of Man

Lurbe, Pierre (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
La voix de la girouette: The French Connections of John Thelwall’s Elocutionary Theory

Thompson, Judith (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
Toasting, Oratory and Parody in Britain during the French Revolution

Duthille, Rémy (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
How to Do Things with Oaths: Militancy and Loyalty in the French Revolutions

Buscemi, Francesco (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
Introduction

Duff, David; Porée, Marc (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
Rowdy and Rough: Brendan Behan Sings Songs from The Hostage

Livingstone, David (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
“The most cooperative of writers”: Brendan Behan’s Collaboration with Carolyn Swift on The Quare Fellow

Little, James (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
Irony, Trauma, and Compassion: Brendan Behan’s and Maeve Brennan’s Mid-century Short Prose

Witzany Hutková, Klára (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
“A splendid figure of revolting womanhood”: The Women of Brendan Behan’s Short Fiction

Lamprecht, Nathalie (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
Brendan Behan: A Late Modernist Writer Engagé in Postwar Paris

McMahon, Deirdre (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
Brendan Behan and the Irish Language: A Reconsideration

Ó Conchubhair, Brian (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
“Gael an Taobh Thuaidh”: The Irish Language in Brendan Behan’s Journalistic Writing

Markus, Radvan (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
“Literature and the Hack”: Brendan Behan and the Newspapers

Brannigan, John (Univerzita Karlova, Filozofická fakulta, Praha, 2024)
Introduction: Brendan Behan at 100

Lamprecht, Nathalie; Pilný, Ondřej (Univerzita Karlova, Filozofická fakulta, Praha, 2024)

Procházet dle

Sbírky fakulty / součásti

Číslo 68 [11]

Číslo 67 [9]

Poslední příspěvky

Notes on Contributors ﻿

“Inspiration’s darling child”: The Romantic Ode ﻿

Blake’s Public Addresses ﻿

Poetic/Rhetorical Ethos and the Performative Power of Words in the “French” Books of The Prelude ﻿

“Religion’s firm-rooted truths”: Richard Polwhele, Pulpit Oratory and Loyalist Romanticism in the English Province ﻿

“An alarming state of affairs”: Rhetoric, Resistance and the Nation in Richard Brinsley Sheridan’s Speech of 20 April 1798 ﻿

“The spouting rant of high-toned exclamation”: The Art of Oral/Aural Caricature in Paine’s Rights Of Man ﻿

La voix de la girouette: The French Connections of John Thelwall’s Elocutionary Theory ﻿

Toasting, Oratory and Parody in Britain during the French Revolution ﻿

How to Do Things with Oaths: Militancy and Loyalty in the French Revolutions ﻿

Introduction ﻿

Rowdy and Rough: Brendan Behan Sings Songs from The Hostage ﻿

“The most cooperative of writers”: Brendan Behan’s Collaboration with Carolyn Swift on The Quare Fellow ﻿

Irony, Trauma, and Compassion: Brendan Behan’s and Maeve Brennan’s Mid-century Short Prose ﻿

“A splendid figure of revolting womanhood”: The Women of Brendan Behan’s Short Fiction ﻿

Brendan Behan: A Late Modernist Writer Engagé in Postwar Paris ﻿

Brendan Behan and the Irish Language: A Reconsideration ﻿

“Gael an Taobh Thuaidh”: The Irish Language in Brendan Behan’s Journalistic Writing ﻿

“Literature and the Hack”: Brendan Behan and the Newspapers ﻿

Introduction: Brendan Behan at 100 ﻿

Notes on Contributors

“Inspiration’s darling child”: The Romantic Ode

Blake’s Public Addresses

Poetic/Rhetorical Ethos and the Performative Power of Words in the “French” Books of The Prelude

“Religion’s firm-rooted truths”: Richard Polwhele, Pulpit Oratory and Loyalist Romanticism in the English Province

“An alarming state of affairs”: Rhetoric, Resistance and the Nation in Richard Brinsley Sheridan’s Speech of 20 April 1798

“The spouting rant of high-toned exclamation”: The Art of Oral/Aural Caricature in Paine’s Rights Of Man

La voix de la girouette: The French Connections of John Thelwall’s Elocutionary Theory

Toasting, Oratory and Parody in Britain during the French Revolution

How to Do Things with Oaths: Militancy and Loyalty in the French Revolutions

Introduction

Rowdy and Rough: Brendan Behan Sings Songs from The Hostage

“The most cooperative of writers”: Brendan Behan’s Collaboration with Carolyn Swift on The Quare Fellow

Irony, Trauma, and Compassion: Brendan Behan’s and Maeve Brennan’s Mid-century Short Prose

“A splendid figure of revolting womanhood”: The Women of Brendan Behan’s Short Fiction

Brendan Behan: A Late Modernist Writer Engagé in Postwar Paris

Brendan Behan and the Irish Language: A Reconsideration

“Gael an Taobh Thuaidh”: The Irish Language in Brendan Behan’s Journalistic Writing

“Literature and the Hack”: Brendan Behan and the Newspapers

Introduction: Brendan Behan at 100