For Everyone His Own Verhaeren: Czech Reception of Belgian Modernist Literature as an Example of Cultural Transfer and a Path to the Czech Avant‑Garde (1880s–1920s)
| dc.contributor.author | James, Petra | |
| dc.date.accessioned | 2023-01-06T10:42:40Z | |
| dc.date.available | 2023-01-06T10:42:40Z | |
| dc.date.issued | 2022 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/178581 | |
| dc.language.iso | en | cs |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | cs |
| dc.subject | Émile Verhaeren | cs |
| dc.subject | Czech modernism | cs |
| dc.subject | Avant-Garde | cs |
| dc.subject | Belgian Symbolism | cs |
| dc.subject | Cultural Transfer | cs |
| dc.subject | Cultural Networks | cs |
| dc.subject | Cultural Mediation | cs |
| dc.subject | Reception Studies | cs |
| dc.title | For Everyone His Own Verhaeren: Czech Reception of Belgian Modernist Literature as an Example of Cultural Transfer and a Path to the Czech Avant‑Garde (1880s–1920s) | cs |
| dc.type | Vědecký článek | cs |
| dcterms.accessRights | openAccess | |
| dcterms.license | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
| uk.abstract.en | Translating and interpreting the work of the Belgian francophone poet Émile Verhaeren in Bohemia between 1880s–1920s was a way of being Czech, Francophile, modern, and certainly not German – not always in the same order or with the same understanding of what ‘modern’ means. The study analyzes Czech reception of Émile Verhaeren (1855–1916), in critical discussion with the German (Austrian) appropriation and in the context of debates on modern art. Jaroslav Vrchlický needs to be given credit for introducing to his Czech aesthetic adversaries of the 1890s their Belgian symbolist models. The trajectory that leads Verhaeren, a “Rubens in words” of Vrchlický’s 1888 interpretation, to Šalda’s recognised representative of Belgian symbolism of the 1910s and the proto -communist collective author of Neumann’s and Hilar’s appropriation of 1920s guides us through the complex development of Czech modernist art from early modernism of the 1880s to its avant -garde peak in the 1920s. Verhaeren served as a catalyzer and a guiding figure for the Czech artists, who helped to steer them, through complex meanders, towards the modernity of the 20th century. | cs |
| dc.publisher.publicationPlace | Praha | cs |
| uk.internal-type | uk_publication | |
| dc.description.startPage | 117 | cs |
| dc.description.endPage | 139 | cs |
| dcterms.isPartOf.name | Brücken | |
| dcterms.isPartOf.journalYear | 2022 | |
| dcterms.isPartOf.journalVolume | 2022 | |
| dcterms.isPartOf.journalIssue | 2 | |
| dcterms.isPartOf.issn | 2695-043X | |
| dc.relation.isPartOfUrl | https://bruecken.ff.cuni.cz/ |
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Issue 2