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dc.contributor.authorLorenzini, Gianluca
dc.date.accessioned2019-10-18T13:20:47Z
dc.date.available2019-10-18T13:20:47Z
dc.date.issued2019
dc.identifier.urihttp://hdl.handle.net/20.500.11956/111198
dc.description.abstractThe discourse regarding intentionality and interpretation in analytic philosophy of art, although ample and lively, has concerned itself almost exclusively with the literary medium. Starting from a paper published by Hans Maes, I discuss the complications that may arise in straightforwardly applying current intentionalist strategies to the realm of the contemporary visual arts. I first present a detailed account of the difference between hypothetical intentionalism and moderate actual intentionalism which will help to better understand the nature of Maes’s arguments in his paper. I then argue that the characteristics which shape the approach of moderate actual intentionalism cannot be accommodated by certain contemporary visual artworks. I will demonstrate how in certain contemporary artworks, should a viewer be interested in accepting actual intentions within her interpretation, she will have to do so with an extreme intentionalist posture rather than a moderate actual one.en
dc.language.isoen
dc.publisherUniverzita Karlova, Filozofická fakulta
dc.titleThe Problem of Intentionality in the Contemporary Visual Artsen
dc.typeVědecký článekcs
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
uk.internal-typeuk_publication
dc.description.startPage186
dc.description.endPage205
dcterms.isPartOf.nameEstetika: The Central European Journal of Aestheticscs_CZ
dcterms.isPartOf.journalYear2019
dcterms.isPartOf.journalVolume2019
dcterms.isPartOf.journalIssue2
dcterms.isPartOf.issn2571-0915
dcterms.isPartOf.issn0014-1291
dc.relation.isPartOfUrlhttp://aesthetics.ff.cuni.cz
dc.subject.keywordintentionalismen
dc.subject.keywordinterpretationen
dc.subject.keywordart (philosophy of)en
dc.subject.keywordaesthetic judgementen


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