Zobrazují se záznamy 21-40 z 77

    • Being Moved by Art: A Phenomenological and Pragmatist Dialogue 

      Høffding, Simon; Sánchez, Carlos Vara; Roald, Tone (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-09-15)
      This article integrates John Dewey’s Art as Experience, Mikel Dufrenne’s Phenomenology of Aesthetic Experience, and phenomenological interviews with museum visitors to answer what it means to be ‘moved by art’. The interviews ...
    • Artistic Creation and Ethical Criticism by Ted Nannicelli 

      Bokiniec, Monika (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
      A book review of Ted Nannicelli, Artistic Creation and Ethical Criticism. New York: Oxford University Press, 2020, 288 pp. ISBN 9780197507247.
    • Radically Rethinking Copyright in the Arts: A Philosophical Approach by James O. Young 

      Baldini, Andrea Lorenzo (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
      A book review of James O. Young, Radically Rethinking Copyright in the Arts: A Philosophical Approach. New York: Routledge, 2021, 184 pp. ISBN 978-0-367–52183–7.
    • Critical Note on James Harold’s Dangerous Art 

      Vidmar Jovanovic, Iris; Stupnik, Valentina Marianna (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
      This paper critically examines James Harold’s book Dangerous Art: On Moral Criticism of Artworks. New York: Oxford University Press, 2020, 206 pp. ISBN 978-0197519769.
    • Aesthetic Understanding 

      Page, Jeremy (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
      In this paper, I introduce an account of aesthetic understanding. Recent discussions of aesthetic understanding have associated it with aesthetic justification and with understanding why, for example, a given object is ...
    • A Heretical Defence of the Unity of Form and Content 

      Glavaničová, Daniela (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
      The received view in the debate on the form–content unity of poetry is that the possibility of paraphrase does not sit well with the unity conception. I will suggest a shift from paraphrase to translation, since the latter ...
    • Mirrors, Windows, and Paintings 

      Calabi, Clotilde; Huemer, Wolfgang; Santambrogio, Marco (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
      What do we see in a mirror? There is an ongoing debate over whether mirrors present us with images of objects or whether we see, through the mirror, the objects themselves. Roberto Casati has recently argued that there is ...
    • What Is Street Art? 

      Baldini, Andrea Lorenzo (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-05)
      What is street art? This paper offers a definition of street art as an art kind or art form based on its essential value: its subversiveness. It argues that street art is essentially subversive in virtue of using public ...
    • Nouvelle Histoire de la danse en Occident: De la Préhistoire à nos jours, edited by Laura Cappelle 

      Bronowski, Ada (Helsinki University Press, Praha, 2021-09-16)
      A book review of Laura Cappelle. Nouvelle Histoire de la danse en Occident: De la Préhistoire à nos jours. Paris: Seuil, 2020, 368 pp. ISBN 978-2021399899.
    • Art as Human Practice: An Aesthetics by Georg W. Bertram 

      Moland, Lydia (Helsinki University Press, Praha, 2021-09-16)
      A book review of Georg W. Bertram, Art as Human Practice: An Aesthetics. Translated by Nathan Ross. London: Bloomsbury Academic, 2019, x + 240 pp. ISBN 978-1-3500-6314-3.
    • Literary Interventions in Justice: A Symposium 

      Kirkpatrick, Kate; McGregor, Rafe; Simecek, Karen (Helsinki University Press, Praha, 2021-09-16)
      The purpose of this symposium is to explore the ways in which literature, broadly construed to include poetry and narrative in a variety of modes of representation, can change the world by providing interventions in justice. ...
    • Wittgenstein, Loos, and the Critique of Ornament 

      Vrahimis, Andreas (Helsinki University Press, Praha, 2021-09-16)
      Adolf Loos is one of the few figures that Wittgenstein explicitly named as an influence on his thought. Loos’s influence has been debated in the context of determining Wittgenstein’s relation to modernism, as well as in ...
    • The Moral Dimension of Qiyun Aesthetics and Some Resonances with Kant and Schiller 

      Hu, Xiaoyan (Helsinki University Press, Praha, 2021-09-16)
      In this paper, I suggest that the notion of qiyun (qi: spirit; yun: consonance) in the context of landscape painting involves a moral dimension. The Confucian doctrine of sincerity involved in bringing the landscapist’s ...
    • Truth Matters, Aesthetically 

      Köppe, Tilmann; Langkau, Julia (Helsinki University Press, Praha, 2021-09-16)
      This paper defends a version of aesthetic cognitivism: the truth of statements expressed, implied, or alluded to by a work of fiction matters aesthetically, and bears upon the work’s aesthetic value. Our aim is to explore ...
    • Pluralism, Eliminativism, and the Definition of Art 

      Bartel, Christopher; Kwong, Jack M. C. (Helsinki University Press, Praha, 2021-09-16)
      Traditional monist theories of art fail to account for the diversity of objects that intuitively strike many as belonging to the category art. Some today argue that the solution to this problem requires the adoption of ...
    • Feeling the Aesthetic: A Pluralist Sentimentalist Theory of Aesthetic Experience 

      Rosenberg Larsen, Rasmus; Sackris, David (Helsinki University Press, 2020-09-15)
    • Non-standard Emotions and Aesthetic Understanding 

      Martínez Marín, Irene (Helsinki University Press, 2020-09-15)
    • Aesthetics and Autobiography in Cavell 

      Schuff, Jochen (Helsinki University Press, 2020-09-15)
    • Kant on the Concept of Witz 

      Silva, Fernando M. F. (Helsinki University Press, 2020-09-15)
    • Art and Form: From Roger Fry to Global Modernism by Sam Rose 

      Gal, Michalle (Helsinki University Press, 2020-09-15)

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