"Wie kann die Gewalt entstehen". Opfer-Figuren in den Werken Heinrich Bölls
"How violence arises and how far it can lead". The figure of victims in the works of Heinrich Böll
diploma thesis (DEFENDED)

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http://hdl.handle.net/20.500.11956/22362Identifiers
Study Information System: 65783
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- Kvalifikační práce [19358]
Author
Advisor
Referee
Bučková, Tamara
Faculty / Institute
Faculty of Education
Discipline
Training Teachers of General Subjects at Lower and Higher Secondary Schools German - Social Scienses
Department
Information is unavailable
Date of defense
8. 9. 2009
Publisher
Univerzita Karlova, Pedagogická fakultaLanguage
Czech
Grade
Good
NAzEV: "Jak vznika nasilf a kam az muze vest"; Postavy - obeti v dilech Heinricha Bolla ABSTRAKT: Predmetem teto prace je nasili zobrazovane v dilech nemeckeho autora dvacateho stoleti Heinricha Bolla. Tematem je ztvarneni obeti jako literarnich postav ve trech pr6zach Heinricha Bolla: Ztracena cest Katefiny Blumove, Konec jedne sluzebnfjfzdy a Klaunovy nazory. Kdo je puvodcem nasili, jak jej Heinrich Boll v dilech prezentuje a do jake miry je zainteresovan sam autor. Pomoci tematicke analyzy konfrontovane s jeho zivotem jsem dospela k prezentovanemu zaveru, kterY je posleze shrnut v resume. KLitovA SLOVA: nasilf, zapadonemecka spolecnost, cirkev, militarismus, media, kritika
TITLE: "How violence arises and how far it can lead"; the figure of victims in the works of Heinrich Boll SUMMARY: The purpose of this work is looking at the violence displayed in the works of twentieth century German author, Heinrich Boll. The topic was to find the orginator of violence against his victims - figure and how Heinrich Boll in his books; The Lost Honour of Katharine Blum, End of a Mission, The Clown, presents and to what extent, he as the author, has a stake. With the help of thematic analysis confronted from his life, presented in preliminary chapters, I came to the conclusion, which is compiled in the resume in German language. KEYWORDS: Violence, West German society, Church, Militarism, Media, Critique