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Finally Available: Maura Laverty’s Dublin Dramas

Pilný, Ondřej (Univerzita Karlova, Filozofická fakulta, Praha, 2023)
Kafka’s Scottish Translators: Willa and Edwin Muir between Anglophone and Central European Modernism

Sabatos, Charles (Univerzita Karlova, Filozofická fakulta, Praha, 2023)
Listening to the Environment: Alice Oswald’s D(eco)nstruction

Szuba, Monika; Wolfreys, Julian (Univerzita Karlova, Filozofická fakulta, Praha, 2022)
On “Borrowing Landscapes” and “Shared Consciousness”: Alec Finlay and Ken Cockburn’s Collaborative Projects Writing Through Matsuo Bashō’s Oku no Hosomichi

Kocot, Monika (Univerzita Karlova, Filozofická fakulta, Praha, 2023)
Resisting Domination: Merfolk and the Beach in Amy Sackville’s Orkney

Troxler, Marion (Univerzita Karlova, Filozofická fakulta, Praha, 2023)
Deireadh an Fhoghair and the Environment

Poncarová, Petra Johana (Univerzita Karlova, Filozofická fakulta, Praha, 2023)
Hospitality, Home, and the Environment in the Works of Ailbhe Ní Ghearbhuigh and Simon Ó Faoláin

Theinová, Daniela (Univerzita Karlova, Filozofická fakulta, Praha, 2023)
“A bird, or boat, or any thing”: Weedy Entanglement and Oceanic Freedom in Eliza Cook’s Anthropomorphous World

Murray, Rachael Eleanor (Univerzita Karlova, Filozofická fakulta, Praha, 2023)
Literary Form and Coastal Sublimity in Ann Radcliffe’s The Romance of the Forest

Irving, Roslyn (Univerzita Karlova, Filozofická fakulta, Praha, 2023)
Introduction

MacKenzie, Robin; Poncarová, Petra Johana (Univerzita Karlova, Filozofická fakulta, Praha, 2023)

Browse by

Recent Submissions

Finally Available: Maura Laverty’s Dublin Dramas ﻿

Kafka’s Scottish Translators: Willa and Edwin Muir between Anglophone and Central European Modernism ﻿

Listening to the Environment: Alice Oswald’s D(eco)nstruction ﻿

On “Borrowing Landscapes” and “Shared Consciousness”: Alec Finlay and Ken Cockburn’s Collaborative Projects Writing Through Matsuo Bashō’s Oku no Hosomichi ﻿

Resisting Domination: Merfolk and the Beach in Amy Sackville’s Orkney ﻿

Deireadh an Fhoghair and the Environment ﻿

Hospitality, Home, and the Environment in the Works of Ailbhe Ní Ghearbhuigh and Simon Ó Faoláin ﻿

“A bird, or boat, or any thing”: Weedy Entanglement and Oceanic Freedom in Eliza Cook’s Anthropomorphous World ﻿

Literary Form and Coastal Sublimity in Ann Radcliffe’s The Romance of the Forest ﻿

Introduction ﻿

Finally Available: Maura Laverty’s Dublin Dramas

Kafka’s Scottish Translators: Willa and Edwin Muir between Anglophone and Central European Modernism

Listening to the Environment: Alice Oswald’s D(eco)nstruction

On “Borrowing Landscapes” and “Shared Consciousness”: Alec Finlay and Ken Cockburn’s Collaborative Projects Writing Through Matsuo Bashō’s Oku no Hosomichi

Resisting Domination: Merfolk and the Beach in Amy Sackville’s Orkney

Deireadh an Fhoghair and the Environment

Hospitality, Home, and the Environment in the Works of Ailbhe Ní Ghearbhuigh and Simon Ó Faoláin

“A bird, or boat, or any thing”: Weedy Entanglement and Oceanic Freedom in Eliza Cook’s Anthropomorphous World

Literary Form and Coastal Sublimity in Ann Radcliffe’s The Romance of the Forest

Introduction