| dc.contributor | | |
| dc.creator | Škarpová, Marie | |
| dc.date | 2017 | |
| dc.date.accessioned | 2018-05-28T11:05:23Z | |
| dc.date.available | 2018-05-28T11:05:23Z | |
| dc.date.issued | 2017 | |
| dc.identifier | ISSN 2336-6680 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/97299 | |
| dc.description | | |
| dc.description | | |
| dc.description | One of the most significant changes in the manner of reproduction, distribution, usage and interpretationof Czech Rorate chants took place in the 1830s and 1840s. It was then that Czech catholicpriest Václav Michael Pešina (1782–1859) provided an interpretation of early modern Czech utraquistliturgical Rorate chants (which were newly available in the edition published in 1823 by Jan HostivítPospíšil) as Charles-Ernest Rorate, i.e. as old Czech chants of an advent worship for people, which, accordingto Pešina, were introduced into St. Vitus Cathedral and other Czech churches by ArchbishopErnest of Pardubice with the support of Charles IV. Pešina also put into effect new ways in whichCzech Rorate chants were reproduced and distributed, and initiated their introduction into Czechcatholic churches, including the Prague cathedral, as revived Old Czech morning advent catholic worshipfor the people. In this paper, we analyze the strategies which were used to assert the interpretationof Czech Rorate chants, such as the Charles-Ernest Rorate, in the Czech cultural domain, as wellas the strategies which led to the Rorate from the year 1823 being determined as the primary source.We also focus on the demystifying processes which resulted in the rejection of the concept of theCharles-Ernest Rorate, and in the virtually complete erasure of Pešina’s person from the Czech collectivememory. Attention is also paid to the identity- and culture-forming function of this Revivalistmystification and its potential to become a valuable analytic tool for the modern-day Czech society. | |
| dc.format | pdf | |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.relation | | |
| dc.rights | | |
| dc.rights | | |
| dc.rights | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
| dc.source | Slovo a smysl - Word & Sense, 2017, 14, 28, 115-140 | |
| dc.subject | Roráty | |
| dc.subject | Václav Michael Pešina | |
| dc.subject | Roráte karlo-arnoštské | |
| dc.subject | katedrála sv. Víta | |
| dc.subject | Časopis katolického duchovenstva | |
| dc.subject | české národní obrození | |
| dc.subject | mystifikace | |
| dc.subject | demystifikace | |
| dc.subject | literární recepce | |
| dc.subject | rorate chants | |
| dc.subject | Václav Michael Pešina | |
| dc.subject | Charles-Ernest Rorate | |
| dc.subject | St. Vitus Cathedral | |
| dc.subject | Czech National Revival | |
| dc.subject | mystification | |
| dc.subject | demystification | |
| dc.subject | literary reception | |
| dc.subject | | |
| dc.subject | | |
| dc.subject | | |
| dc.title | Roráte karlo-arnoštské. Kapitola z historie českých obrozenských mystifikací | |
| dc.title | Charles-Ernest Rorate. A Chapter from the History of Czech Revival Mystifications | |
| dc.type | | |
| dc.type | Článek | cs_CZ |
| dc.type | Article | en_US |
| dc.coverage | | |
| dc.coverage | | |
| dc.coverage | | |
| uk.internal-type | uk_publication | |
| dc.description.startPage | 115 | |
| dc.description.endPage | 140 | |
| dcterms.isPartOf.name | Slovo a smysl - Word & Sense | cs_CZ |
| dcterms.isPartOf.journalYear | 2017 | |
| dcterms.isPartOf.journalVolume | 14 | |
| dcterms.isPartOf.journalIssue | 28 | |
