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dc.creatorKarolina Válová
dc.date2017
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dc.date.accessioned2018-05-28T11:05:19Z
dc.date.available2018-05-28T11:05:19Z
dc.date.issued2017
dc.identifierISSN 2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/97240
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dc.descriptionThe study offers an interpretation of the novel A Bee in the Rain (1953) from the perspective of a house.The novel is the last in the so-called Gandara tetralogy, a collection of neorealist prose which Carlos de Oliveira set in his childhood country, a poor and barren land of sand dunes in central Portugal.The house of the declining Silvestre family becomes a battleground between a man and a woman andin the end also between social classes. A barrow heavily making its way on a muddy road, in whichthe Silvestres are fighting for space, becomes a miniature of the house and a reflection of its fate.Next the house is compared to a beehive with a decaying swarm inside whose bees, blinded withspite, make bile instead of honey and spread it around. The neorealist level of the novel gives way tothe symbolic level. The author works primarily with the symbols of honey, fire and gold, which hejuxtaposes with the symbols bile, water and mud.
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dc.publisherFilozofická fakulta Univerzity Karlovy
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury: Časopis pro novodobé literatury, 2017, 56, 111-127
dc.subjectCarlos de Oliveira
dc.subjectportugalský neorealismus
dc.subjectprostor
dc.subjectPortuguese neorealism
dc.subjectspace
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dc.titleRozpadající se dvoukolka na blátivé cestě. Prostor domu v románu Carlose de Oliveiry Včela v dešti
dc.titleA DERELICT BARROW ON A MUDDY ROAD. SPACE OF A HOUSE IN THE NOVEL A BEE IN THE RAIN
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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uk.internal-typeuk_publication
dc.description.startPage111
dc.description.endPage127
dcterms.isPartOf.nameSvět literatury: Časopis pro novodobé literaturycs_CZ
dcterms.isPartOf.journalYear2017
dcterms.isPartOf.journalVolume2017
dcterms.isPartOf.journalIssue56


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