„Obležení ucha“: válka a proměny smyslového vnímání v literatuře moderny. Weinerovo Ztřeštěné ticho

Málek, Petr

dc.contributor	Topor, Michal
dc.creator	Málek, Petr
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dc.date	2015
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dc.date.accessioned	2018-05-28T11:05:02Z
dc.date.available	2018-05-28T11:05:02Z
dc.date.issued	2015
dc.identifier	ISSN 2336-6680
dc.identifier.uri	http://hdl.handle.net/20.500.11956/97019
dc.description
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dc.description	The paper focuses on R. Weiner’s 1916 short story collection Lítice / Furies which captures his direct experience from the Serbian front. I present a reading of the story Crazy Silence from the broader perspective of war and the associated issues of perception and representation, language and imagination, pursued from the viewpoint of “the way of internalization”, i.e. the processes of metaphorical and allegorical transmutation of the war events, as well as from the viewpoint of the history and economy of sense-perception, as Weiner’s prose reflects the changes incurred by the impact of the military apparatus. The title of the story, Crazy Silence, denotes the central image of the text, linked with the key role of the auditory experience of soldiers in the field, confronted with a yet unknown “siege of hearing”, understood already at the time as an unmistakable perceptual characteristics of World War One. This war-time “mobilization of hearing”, as reflected in literature, is then situated within the broader context of transformations of sense-perception accompanying the processes of modernization, accompanied by the experience of “great noise” (F. Kafka). Our reading of Weiner’s text turns our attention to the question of the literary representation of this “siege of hearing”: how can one communicate the perceptions and attacks that fell on the ear during the war? Whereas, for instance, the Italian Futurists stopped at a direct imitation of the noises of the battlefield by means of onomatopoia, other authors pursued the path of metaphorical and allegorical capturing. The auditory perceptual experience in R. Musil’s The Blackbird and Weiner’s Crazy Silence launches the process of allegorization which creates a metaphorical image of the war, captured in the tension and the disturbing synthesis of the dispersed noise of killing technology and an epiphanic experience.
dc.format	pdf
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dc.publisher	Univerzita Karlova v Praze, Filozofická fakulta
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dc.rights
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dc.rights	http://creativecommons.org/licenses/by-nc-nd/2.0/
dc.source	Slovo a smysl - Word & Sense, 2015, 12, 23, 13-35
dc.subject	aesthetics of the war
dc.subject	sense-perception
dc.subject	representation
dc.subject	modern literature
dc.subject	„siege of hearing“
dc.subject	noise
dc.subject	silence
dc.subject	allegorization
dc.subject	epiphany
dc.subject	estetika války
dc.subject	smyslová percepce
dc.subject	reprezentace
dc.subject	literatura moderny
dc.subject	“obležení sluchu“
dc.subject	hluk
dc.subject	ticho
dc.subject	alegorizace
dc.subject	epifanie
dc.title	„Obležení ucha“: válka a proměny smyslového vnímání v literatuře moderny. Weinerovo Ztřeštěné ticho
dc.title	„The Ear Besieged“: War and the Transformations of Sense-Perception in Modern Literatura. Weiner’s Crazy Silence
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dc.type	article
dc.type	Článek	cs_CZ
dc.type	Article	en_US
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uk.internal-type	uk_publication
dc.description.startPage	13
dc.description.endPage	35
dcterms.isPartOf.name	Slovo a smysl - Word & Sense	cs_CZ
dcterms.isPartOf.journalYear	2015
dcterms.isPartOf.journalVolume	12
dcterms.isPartOf.journalIssue	23

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