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dc.creatorJakub Blecha
dc.date2016
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dc.date.accessioned2018-05-28T11:04:58Z
dc.date.available2018-05-28T11:04:58Z
dc.date.issued2016
dc.identifierISSN 2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/96970
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dc.descriptionThe article starts from an interpretation of the famous review of James Joyce’s Ulysses by Carl Gustav Jung called “Ulysses: A Monologue”. It focuses mainly on the comparison of the semiological assumptions of the two authors. Although both are aware of the principle of openness and fluidity of the text, it is evident, that their hypotheses, submitted to justify this view, do not have the same efficiency. The article can be also read as an attempt to articulate the so called „serial method“, i. e. the Deleuzian critique of the concept of representation from the Logic of Sense. From this point of view, the article could be considered a contribution to the poststructuralist discussion of the concept of sense.
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dc.publisherUniverzita Karlova, Filozofická fakulta
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury: Časopis pro novodobé literatury, 2016, 54, 36-51
dc.subjectinterpretation
dc.subjectcritique of representation
dc.subjectopen structure
dc.subjectCarl Gustav Jung
dc.subjectJames Joyce
dc.subjectinterpretace
dc.subjectkritika reprezentace
dc.subjectotevřená struktura
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dc.titleSvrchovanost povrchu. O distribuci smyslu v jedné literární recenzi
dc.titleThe sovereignty of the surface
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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uk.internal-typeuk_publication
dc.description.startPage36
dc.description.endPage51
dcterms.isPartOf.nameSvět literatury: Časopis pro novodobé literaturycs_CZ
dcterms.isPartOf.journalYear2016
dcterms.isPartOf.journalVolume2016
dcterms.isPartOf.journalIssue54


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