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dc.contributor
dc.creatorKvěta Smoláriková
dc.date2016
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dc.date.accessioned2018-05-28T11:04:30Z
dc.date.available2018-05-28T11:04:30Z
dc.date.issued2016
dc.identifierISSN 2336-8144
dc.identifier.urihttp://hdl.handle.net/20.500.11956/96486
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dc.descriptionTerracotta figurines – as a part of minor arts – have been produced and widely used throughout the long period of Graeco-Roman dominance over Egypt. They were cheaply made of fired Nile clay and display a wealth of motifs unparalleled in any other terracotta workshops from the ancient world. Many of them represent both Egyptian and foreign deities who were particularly thought to offer personal protection and many of them were moreover closely connected with religious feasts. This is also the case of Athena-Neith. The identification of Athena with the Egyptian warrior-goddess Neith led in the Roman period to the mass-production of distinctive lamps with Athena’s image. No wonder that some of them are also housed in several Czech museums and private collections.
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dc.publisherUniverzita Karlova, Filozofická fakulta
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceStudia Hercynia, 2016, 20, 1, p. 27-32
dc.subjectGraeco-Roman terracottas
dc.subjectnocturnal festival
dc.subjectAthena-Neith
dc.subjectAthena-Dadouchos
dc.subjectSais
dc.subjectEsna
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dc.titleEgyptian Nocturnal Festival of Lamps in Honour of Athena-Neith
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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uk.internal-typeuk_publication
dc.description.startPage27
dc.description.endPage32
dcterms.isPartOf.nameStudia Hercyniacs_CZ
dcterms.isPartOf.journalYear2016
dcterms.isPartOf.journalVolume20
dcterms.isPartOf.journalIssue1


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