| dc.contributor.advisor | Niubo, Marc | |
| dc.creator | Labudová, Jana | |
| dc.date.accessioned | 2017-04-27T19:28:58Z | |
| dc.date.available | 2017-04-27T19:28:58Z | |
| dc.date.issued | 2011 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/37896 | |
| dc.description.abstract | Bakalárska práca sa zaoberá analýzou troch talianskych operných libriet Il Ciro riconosciuto, Ipermestra a Don Calandrano k operným produkciám v Bratislave roku 1760. Identifikuje autorov hudby a textu, zaoberá sa biografiami členov spoločnosti, ktorí predstavenia odohrali a začleňuje tieto poznatky co celkového kontextu opery v Bratislave a v strednej Európe. | cs_CZ |
| dc.description.abstract | Bachelor's thesis deals with analysis of three Italian opera librettos Il Ciro riconosciuto, Ipermestra and Don Calandrano for opera productions in Bratislava in 1760. This thesis further identifies the authors of music and text. Biographies of performers are discused as well and all the findings of this thesis are being incorporated to the overall context of opera in Bratislava and middle Europe. | en_US |
| dc.language | Slovenčina | cs_CZ |
| dc.language.iso | sk_SK | |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
| dc.subject | libreto | cs_CZ |
| dc.subject | opera | cs_CZ |
| dc.subject | Bratislava | cs_CZ |
| dc.subject | Ipermestra | cs_CZ |
| dc.subject | Il Ciro riconosciuto | cs_CZ |
| dc.subject | Don Calandrano | cs_CZ |
| dc.subject | Girolamo Bon | cs_CZ |
| dc.subject | libretto | en_US |
| dc.subject | opera | en_US |
| dc.subject | Bratislava | en_US |
| dc.subject | Ipermestra | en_US |
| dc.subject | Il Ciro riconosciuto | en_US |
| dc.subject | Don Calandrano | en_US |
| dc.subject | Girolamo Bon | en_US |
| dc.title | Operné predstavenia v Bratislave roku 1760 | sk_SK |
| dc.type | bakalářská práce | cs_CZ |
| dcterms.created | 2011 | |
| dcterms.dateAccepted | 2011-02-07 | |
| dc.description.department | Institute of Musicology | en_US |
| dc.description.department | Ústav hudební vědy | cs_CZ |
| dc.description.faculty | Faculty of Arts | en_US |
| dc.description.faculty | Filozofická fakulta | cs_CZ |
| dc.identifier.repId | 65995 | |
| dc.title.translated | The opera performances in Bratislava 1760 | en_US |
| dc.title.translated | Operní představení v Bratislavě roku 1760 | cs_CZ |
| dc.contributor.referee | Maňourová, Lucie | |
| dc.identifier.aleph | 001288124 | |
| thesis.degree.name | Bc. | |
| thesis.degree.level | bakalářské | cs_CZ |
| thesis.degree.discipline | Musicology | en_US |
| thesis.degree.discipline | Hudební věda | cs_CZ |
| thesis.degree.program | Theory and History of Art and Culture | en_US |
| thesis.degree.program | Obecná teorie a dějiny umění a kultury | cs_CZ |
| uk.thesis.type | bakalářská práce | cs_CZ |
| uk.taxonomy.organization-cs | Filozofická fakulta::Ústav hudební vědy | cs_CZ |
| uk.taxonomy.organization-en | Faculty of Arts::Institute of Musicology | en_US |
| uk.faculty-name.cs | Filozofická fakulta | cs_CZ |
| uk.faculty-name.en | Faculty of Arts | en_US |
| uk.faculty-abbr.cs | FF | cs_CZ |
| uk.degree-discipline.cs | Hudební věda | cs_CZ |
| uk.degree-discipline.en | Musicology | en_US |
| uk.degree-program.cs | Obecná teorie a dějiny umění a kultury | cs_CZ |
| uk.degree-program.en | Theory and History of Art and Culture | en_US |
| thesis.grade.cs | Výborně | cs_CZ |
| thesis.grade.en | Excellent | en_US |
| uk.abstract.cs | Bakalárska práca sa zaoberá analýzou troch talianskych operných libriet Il Ciro riconosciuto, Ipermestra a Don Calandrano k operným produkciám v Bratislave roku 1760. Identifikuje autorov hudby a textu, zaoberá sa biografiami členov spoločnosti, ktorí predstavenia odohrali a začleňuje tieto poznatky co celkového kontextu opery v Bratislave a v strednej Európe. | cs_CZ |
| uk.abstract.en | Bachelor's thesis deals with analysis of three Italian opera librettos Il Ciro riconosciuto, Ipermestra and Don Calandrano for opera productions in Bratislava in 1760. This thesis further identifies the authors of music and text. Biographies of performers are discused as well and all the findings of this thesis are being incorporated to the overall context of opera in Bratislava and middle Europe. | en_US |
| uk.file-availability | V | |
| uk.publication.place | Praha | cs_CZ |
| uk.grantor | Univerzita Karlova, Filozofická fakulta, Ústav hudební vědy | cs_CZ |
| dc.identifier.lisID | 990012881240106986 | |
