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dc.contributor.advisorDrulák, Petr
dc.creatorCastille, Sarah
dc.date.accessioned2017-04-20T00:41:41Z
dc.date.available2017-04-20T00:41:41Z
dc.date.issued2010
dc.identifier.urihttp://hdl.handle.net/20.500.11956/24120
dc.description.abstractIn this thesis paper, I propose an alternative means of studying post-national politics through the integration of aesthetics into the discipline of political studies. I argue that traditional methods of studying politics perpetuate an exclusionary, homogenizing national bias that renders them inappropriate tools of understanding the experience of political subjects in a global environment. I argue that to circumvent these processes of exclusion, we must find a means of taking the experience of the political subject into account in our studies of political conditions. Following Jacques Rancière, I argue that both the political and the aesthetic are types of experience that emerge through a distribution of common sensory experience, or le partage du sensible. I propose the use of Michal Bakhtin's chronotope as a means of considering the connections between the sensory experience of the individual and larger political conditions, in particular as it relates to the development of state legitimacy. In the last two sections of the paper, I apply the chronotope to the study of two different types of political structures: the traditional nation-state and the European Union. In doing so, I attempt to uncover the ways in which both entities perpetuate similar notions of time and space, ultimately engaging in similar...en_US
dc.languageEnglishcs_CZ
dc.language.isoen_US
dc.publisherUniverzita Karlova, Fakulta sociálních vědcs_CZ
dc.title"The Nervature of Past Life": Spatiotemporal Constructions of Post-National Politics in the Struggle for European Legitimacyen_US
dc.typediplomová prácecs_CZ
dcterms.created2010
dcterms.dateAccepted2010-06-25
dc.description.departmentDepartment of Political Scienceen_US
dc.description.departmentKatedra politologiecs_CZ
dc.description.facultyFaculty of Social Sciencesen_US
dc.description.facultyFakulta sociálních vědcs_CZ
dc.identifier.repId89048
dc.contributor.refereePlechanovová, Běla
dc.identifier.aleph001704152
thesis.degree.nameMgr.
thesis.degree.levelnavazující magisterskécs_CZ
thesis.degree.disciplineMezinárodní ekonomická a politická studiacs_CZ
thesis.degree.disciplineInternational Economic and Political Studiesen_US
thesis.degree.programMezinárodní ekonomická a politická studiacs_CZ
thesis.degree.programInternational Economic and Political Studiesen_US
uk.thesis.typediplomová prácecs_CZ
uk.taxonomy.organization-csFakulta sociálních věd::Katedra politologiecs_CZ
uk.taxonomy.organization-enFaculty of Social Sciences::Department of Political Scienceen_US
uk.faculty-name.csFakulta sociálních vědcs_CZ
uk.faculty-name.enFaculty of Social Sciencesen_US
uk.faculty-abbr.csFSVcs_CZ
uk.degree-discipline.csMezinárodní ekonomická a politická studiacs_CZ
uk.degree-discipline.enInternational Economic and Political Studiesen_US
uk.degree-program.csMezinárodní ekonomická a politická studiacs_CZ
uk.degree-program.enInternational Economic and Political Studiesen_US
thesis.grade.csVýborněcs_CZ
thesis.grade.enExcellenten_US
uk.abstract.enIn this thesis paper, I propose an alternative means of studying post-national politics through the integration of aesthetics into the discipline of political studies. I argue that traditional methods of studying politics perpetuate an exclusionary, homogenizing national bias that renders them inappropriate tools of understanding the experience of political subjects in a global environment. I argue that to circumvent these processes of exclusion, we must find a means of taking the experience of the political subject into account in our studies of political conditions. Following Jacques Rancière, I argue that both the political and the aesthetic are types of experience that emerge through a distribution of common sensory experience, or le partage du sensible. I propose the use of Michal Bakhtin's chronotope as a means of considering the connections between the sensory experience of the individual and larger political conditions, in particular as it relates to the development of state legitimacy. In the last two sections of the paper, I apply the chronotope to the study of two different types of political structures: the traditional nation-state and the European Union. In doing so, I attempt to uncover the ways in which both entities perpetuate similar notions of time and space, ultimately engaging in similar...en_US
uk.file-availabilityV
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Fakulta sociálních věd, Katedra politologiecs_CZ
dc.identifier.lisID990017041520106986


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