| dc.contributor.author | Žíla, Dalibor | |
| dc.date.accessioned | 2025-02-18T10:21:14Z | |
| dc.date.available | 2025-02-18T10:21:14Z | |
| dc.date.issued | 2024 | |
| dc.identifier.issn | 2336–6729 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/196786 | |
| dc.language.iso | fr | cs |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | cs |
| dc.subject | Annie Ernaux | cs |
| dc.subject | Les Années | cs |
| dc.subject | L’Usage de la photo | cs |
| dc.subject | Photography | cs |
| dc.subject | Blur | cs |
| dc.subject | Autofiction | cs |
| dc.subject | Intermediality | cs |
| dc.subject | French Literature | cs |
| dc.subject | Nobel Prize | cs |
| dc.title | Mémoire floue à travers Les Années et L’Usage de la photo d’Annie Ernaux | cs |
| dc.type | Vědecký článek | cs |
| dcterms.accessRights | openAccess | |
| dcterms.license | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
| dc.title.translated | Blurred Memory through The Years and The Uses of Photography by Annie Ernaux | cs |
| uk.abstract.en | The Nobel Prize winner for Literature in 2022, Annie Ernaux (1940), owes much of her success to her novel The Years (Gallimard, 2008). In this autobiographical work, the French author uses photographs to retrace her own personal journey from her childhood to the present day, mixing her own memories with historical events, yet maintaining a certain distance mirroring her aim: to describe sixty years of life in France. In the process of story-telling, the photograph recreates the progression of time and the effects of ageing. Ernaux offers us an objective narrative that questions the unique ness and singularity of an individual, of his or her memory, where we can question the notion of the blur and fluidity that is often linked to it. In The Uses of Photography (2005), photographs give life and consistency to the narrator and the story perceived essentially through snapshots. The photos communicate with one another, as in The Years, where the descriptions of the images do work with our imagination and provoke reflections on the fluidity of the time. This transpersonal writing corresponds both Ernaux’s estrangement to herself, as the narrative subject, and her distinct regard on the society. The author is aware of the similarities and differences between these two approaches: the changes undergone by the subject of the narration and the things that surround her. In our paper, we will analyze how photography, a medium that is often considered to be faithful to reality, helps us to recall memories that have blurred as we were ageing and that Ernaux seeks to anchor in a broader framework; in a historical memory of the society and the nation. | cs |
| dc.publisher.publicationPlace | Praha | cs |
| uk.internal-type | uk_publication | |
| dc.identifier.doi | https://doi.org/10.14712/23366729.2024.3.16 | |
| dc.description.startPage | 180 | cs |
| dc.description.endPage | 189 | cs |
| dcterms.isPartOf.name | Svět literatury | cs |
| dcterms.isPartOf.journalYear | 2024 | |
| dcterms.isPartOf.journalVolume | 2024 | |
| dcterms.isPartOf.journalIssue | Special Issue | en |
| dcterms.isPartOf.issn | 2336–6729 | |
| dc.relation.isPartOfUrl | https://svetliteratury.ff.cuni.cz | |
