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Vagueness in the work of Gérard de Nerval
dc.contributor.authorSpiridon, Vasile
dc.date.accessioned2025-02-18T09:32:43Z
dc.date.available2025-02-18T09:32:43Z
dc.date.issued2024
dc.identifier.issn2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/196781
dc.language.isofrcs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectAmbiguitycs
dc.subjectVaguenesscs
dc.subjectBordercs
dc.subjectUnrealcs
dc.subjectRealcs
dc.subjectDreamcs
dc.subjectMemorycs
dc.titleLe flou chez Gérard de Nervalcs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.title.translatedVagueness in the work of Gérard de Nervalcs
uk.abstract.enThe art of Gérard de Nerval — visionary poet and vagrant prose writer — is primarily bringing together in his work touching appearances of reality. This romantic writer scrutinises reality, but not to the purpose of clarification and enlisting into patterns. A poetics of profusion and blending is activated and causes a dissolution of the clean and clear form. By using these antithetical pairs of the open and the closed, the deep and the high, the light and the dark — the spatio-temporal translation of his metaphysical drama —, Nerval creates an unusual literary geography. The Nervalian fictional world is thus recomposed by reflections, vague states and complex trajectories and these few uses of vagueness in his prose have aroused interest in the communication presented below. We examined some uses of the real/vague dialectics as it manifests itself in his prose work Sylvie and Aurélia.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doihttps://doi.org/10.14712/23366729.2024.3.11
dc.description.startPage132cs
dc.description.endPage140cs
dcterms.isPartOf.nameSvět literaturycs
dcterms.isPartOf.journalYear2024
dcterms.isPartOf.journalVolume2024
dcterms.isPartOf.journalIssueSpecial Issueen
dcterms.isPartOf.issn2336–6729
dc.relation.isPartOfUrlhttps://svetliteratury.ff.cuni.cz


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