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dc.contributor.authorRoreitnerová, Alena
dc.date.accessioned2025-01-16T14:11:20Z
dc.date.available2025-01-16T14:11:20Z
dc.date.issued2024
dc.identifier.issn2336-6680
dc.identifier.urihttp://hdl.handle.net/20.500.11956/196178
dc.language.isoencs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectMarcel Proustcs
dc.subjecttimecs
dc.subjectshared attentioncs
dc.subjectinvoluntary memorycs
dc.subjectconstellationcs
dc.subjectMaurice Merleau-Pontycs
dc.subjectqualitative timecs
dc.subjectintentionalitycs
dc.subjectsuccessioncs
dc.subjectrelational conception of timecs
dc.subjectGérard Genettecs
dc.subjectintersubjectivitycs
dc.titleTime As a Constellationcs
dc.typePříspěvek v periodikucs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
uk.abstract.enThe paper attempts to take seriously one of the main claims of the final part of Proust’s In Search of Lost Time, where the hero-narrator announces his intention to give his work a form that usually remains invisible, namely the form of time. Our question will therefore be what structure this form has and how it permeates the whole novel. Starting from the hypothesis that the Proustian conception of time can be metaphorically described as a constellation, I will try to show that this constellation can be understood as a connection of two forms of temporality that are clearly present in the book: (1) the simultaneous qualitative time of ‘the hour’ on the one hand, and (2) the successive temporality, with its related destructive effects, on the other. If those aspects of time are considered together, the reader is confronted with a more complex idea of time as a changing constellation of relations. In the main part of the paper, I will try to show that this conception admits to thinking of time regained not only as rediscovery of the solipsistic time of the hero-narrator but also as time shared on a deeper level with others. And since the notion of joint attention is, at least I suppose, necessary for the constitution of genuine intersubjective time, I will try to show that at the central place of the novel, namely the Venice episode, Proust is concerned precisely with the question of the emergence of time from a singular moment of shared attention.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doihttps://doi.org/10.14712/23366680.2024.2.9
dc.description.startPage182cs
dc.description.endPage202cs
dcterms.isPartOf.nameSlovo a smyslcs
dcterms.isPartOf.journalYear2024
dcterms.isPartOf.journalVolume2024
dcterms.isPartOf.journalIssue45
dcterms.isPartOf.issn2336-6680
dc.relation.isPartOfUrlhttps://wordandsense.ff.cuni.cz


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