Kafka Unchained: Returns beyond Biofiction
| dc.contributor.author | Wagner, Benno | |
| dc.date.accessioned | 2024-11-19T08:58:36Z | |
| dc.date.available | 2024-11-19T08:58:36Z | |
| dc.date.issued | 2024 | |
| dc.identifier.issn | 2336–6729 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/195739 | |
| dc.language.iso | en | cs |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | cs |
| dc.subject | Author-as-character | cs |
| dc.subject | biofiction | cs |
| dc.subject | unchained writer fiction | cs |
| dc.subject | narratology | cs |
| dc.subject | intertextuality | cs |
| dc.subject | canon | cs |
| dc.title | Kafka Unchained: Returns beyond Biofiction | cs |
| dc.type | Vědecký článek | cs |
| dcterms.accessRights | openAccess | |
| dcterms.license | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
| uk.abstract.en | Against the background of the 100th anniversary of Franz Kafka’s death, the article explores a branch of author-as-character fiction that escapes the generic restraints of biography and biofiction: un chained writer fiction. Using Steven Soderbergh’s film Kafka (1991), filmmaker Gil Kofman’s novel de but aKa (2023), and Haruki Murakami’s global bestseller Kafka on the Shore (2002/2005) as a provi sional sample, different modes of unchaining Kafka from the fetters of biography and biofiction are brought to light and contrasted against each other. | cs |
| dc.publisher.publicationPlace | Praha | cs |
| uk.internal-type | uk_publication | |
| dc.identifier.doi | https://doi.org/10.14712/23366729.2024.2.8 | |
| dc.description.startPage | 135 | cs |
| dc.description.endPage | 150 | cs |
| dcterms.isPartOf.name | Svět literatury | cs |
| dcterms.isPartOf.journalYear | 2024 | |
| dcterms.isPartOf.journalVolume | 2024 | |
| dcterms.isPartOf.journalIssue | 70 | |
| dcterms.isPartOf.issn | 2336–6729 | |
| dc.relation.isPartOfUrl | https://svetliteratury.ff.cuni.cz |
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Číslo 70 [19]
Issue 70