Studio preliminare delle ceramiche di impasto grossolano celtiche dall’area dell’anfiteatro romano di Milano
Preliminary study of Celtic coarse ware pottery from the area of the Roman amphitheatre in Milan
Vědecký článek
Permanent link
http://hdl.handle.net/20.500.11956/195636Identifiers
ISSN: 2336-6664
Collections
- Číslo 1 [12]
Issue Date
2024Publisher
Univerzita Karlova, Filozofická fakultaPraha
Source document
Studia Hercynia (web)ISSN: 2336-8144
Periodical publication year: 2024
Periodical Volume: 2024
Periodical Issue: 1
Link to license terms
http://creativecommons.org/licenses/by-nc-nd/2.0/Keywords (Czech)
North of Italy, Milan, La Tène, Celtic pottery, Roman amphitheater, Celtic sanctuary, ollae, coarse ceramicKeywords (English)
North of Italy, Milan, La Tène, Celtic pottery, Roman amphitheater, Celtic sanctuary, ollae, coarse ceramicThe proposed study presents some ceramics from the area of the Roman amphitheatre in Milan, mostly from US 298 (excavation 2020), a pit filled exclusively with La Tčne pottery dating from between the 4th and 3rd centuries BC.
The ollae, in particular, are abundant and complete, whereas in other sites in the Insubri region they are only known from a few fragments. Their abundance makes it possible to understand that this type of vase was produced in different sizes, probably to contain solid food of different types. Some bowls and lids, as well as a jug, imitate fine ware shapes. The coarse pottery is itself of good quality, wheel made and fired at a low temperature. It is probably the continuation of a local, Golasecca culture, production.
The proposed study presents some ceramics from the area of the Roman amphitheatre in Milan, mostly from US 298 (excavation 2020), a pit filled exclusively with La Tčne pottery dating from between the 4th and 3rd centuries BC. The ollae, in particular, are abundant and complete, whereas in other sites in the Insubri region they are only known from a few fragments. Their abundance makes it possible to understand that this type of vase was produced in different sizes, probably to contain solid food of different types. Some bowls and lids, as well as a jug, imitate fine ware shapes. The coarse pottery is itself of good quality, wheel made and fired at a low temperature. It is probably the continuation of a local, Golasecca culture, production.