Zobrazit minimální záznam

dc.contributor.authorMangel, Tomáš
dc.contributor.authorThér, Richard
dc.contributor.authorBursák, Daniel
dc.contributor.authorKysela, Jan
dc.date.accessioned2024-11-05T10:20:15Z
dc.date.available2024-11-05T10:20:15Z
dc.date.issued2024
dc.identifier.issn2336-6664
dc.identifier.urihttp://hdl.handle.net/20.500.11956/195633
dc.description.abstractThe various coarse decorated pottery wares of Ha D2–3 and LT A in Bohemia and Moravia also include a prominent pottery group characterised with surface decorated with finger‑tip impressions. In France and Italy, some authors have conceived pottery with similar decoration as evidence of long‑distance contacts or even migrations of Celts in the early 4th century BC. However, the use of finger‑tip decoration is attested in the Czech Republic in various cultural and chronological contexts with its peak in the Roman Iron Age suggesting that this ware is not sufficiently distinct to be connected with a specific cultural milieu. The results of technological analyses of this ware point in a similar direction. At the present state of research in the Czech Republic, finger‑tip decoration thus needs to be understood as a universal technique of decoration or surface treatment rather than as a hint at a population with a distinct identity.en
dc.language.isoencs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectfinger‑tip decorated potteryen
dc.subjectHallstatt perioden
dc.subjectLa Tène perioden
dc.subjectRoman Iron Ageen
dc.subjecttechnological analysisen
dc.subjectforming techniquesen
dc.titleOn the Ubiquity of Dimples. Finger‑Tip Decorated Coarse Ware in Bohemia and Moravia in the Early Iron Age and the Roman Iron ageen
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
uk.abstract.enThe various coarse decorated pottery wares of Ha D2–3 and LT A in Bohemia and Moravia also include a prominent pottery group characterised with surface decorated with finger‑tip impressions. In France and Italy, some authors have conceived pottery with similar decoration as evidence of long‑distance contacts or even migrations of Celts in the early 4th century BC. However, the use of finger‑tip decoration is attested in the Czech Republic in various cultural and chronological contexts with its peak in the Roman Iron Age suggesting that this ware is not sufficiently distinct to be connected with a specific cultural milieu. The results of technological analyses of this ware point in a similar direction. At the present state of research in the Czech Republic, finger‑tip decoration thus needs to be understood as a universal technique of decoration or surface treatment rather than as a hint at a population with a distinct identity.en
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dcterms.isPartOf.nameStudia Hercyniala
dcterms.isPartOf.journalYear2024
dcterms.isPartOf.journalVolume2024
dcterms.isPartOf.journalIssue1
dcterms.isPartOf.issn2336-8144
dc.relation.isPartOfUrlhttps://studiahercynia.ff.cuni.cz


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Zobrazit minimální záznam


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