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dc.contributor.authorKocot, Monika
dc.date.accessioned2024-02-21T10:55:21Z
dc.date.available2024-02-21T10:55:21Z
dc.date.issued2023
dc.identifier.urihttp://hdl.handle.net/20.500.11956/188216
dc.language.isoencs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectMatsuo Bashōcs
dc.subjectAlec Finlaycs
dc.subjectKen Cockburncs
dc.subjectZhuangzics
dc.subjectshared writingcs
dc.subjectborrowed landscapescs
dc.subjecttravel writingcs
dc.subjectroad northcs
dc.subjectScotlandcs
dc.subjectJapancs
dc.titleOn “Borrowing Landscapes” and “Shared Consciousness”: Alec Finlay and Ken Cockburn’s Collaborative Projects Writing Through Matsuo Bashō’s Oku no Hosomichics
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
uk.abstract.enThe article explores multimodal references to Matsuo Bashō’s philosophy of writing in Alec Finlay’s collaborative projects. In my discussion of Bashō-inspired texts, I focus on two forms of shared writing as exemplified in Alec Finlay and Ken Cockburn’s the road north book of poetry and a blog, both based on a journey through Scotland guided by Bashō’s Oku no Hosomichi that took place between 15 May 2010 and 15 May 2011. The theme of “borrowed landscape,” a term used in classical Japanese gardening, will be introduced in a comparative reading of the road north and Bashō’s Oku no Hosomichi. As will be argued, by “translating” Bashō’s and his companion Sora’s journey to Scotland (the Scottish North), Finlay and Cockburn attempt to draw up a new (mental) cartography.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.14712/2571452X.2023.66.7
dc.description.startPage104cs
dc.description.endPage124cs
dcterms.isPartOf.nameLitteraria Pragensiala
dcterms.isPartOf.journalYear2023
dcterms.isPartOf.journalVolume2023
dcterms.isPartOf.journalIssue66
dcterms.isPartOf.issn2571-452X
dc.relation.isPartOfUrlhttp://litteraria-pragensia.ff.cuni.cz


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