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dc.contributor.authorIrving, Roslyn
dc.date.accessioned2024-02-21T10:14:02Z
dc.date.available2024-02-21T10:14:02Z
dc.date.issued2023
dc.identifier.urihttp://hdl.handle.net/20.500.11956/188211
dc.language.isoencs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectEcoGothiccs
dc.subjectAnn Radcliffecs
dc.subjectGreen Romanticismcs
dc.subjectformcs
dc.subjectlittoral Gothiccs
dc.subjectsublimitycs
dc.titleLiterary Form and Coastal Sublimity in Ann Radcliffe’s The Romance of the Forestcs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
uk.abstract.enThis article explores Ann Radcliffe’s The Romance of the Forest (1791) and the eighteenth-century EcoGothic through her construction of the littoral space. Radcliffe’s early and middle romances combine prose with “interspersed” poetry and play with fictive European topographies. While Radcliffe’s landscape description has received significant attention in scholarly research, much less has been done to consider how her writing might contribute to understanding ecocritical concerns and values in eighteenthcentury literature. This article focuses on the coastal Gothic in The Romance of the Forest, which invites new understandings of the relationship between humans and the natural world and responds to calls from the Blue Humanities to reread the aquatic space.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.14712/2571452X.2023.66.2
dc.description.startPage6cs
dc.description.endPage18cs
dcterms.isPartOf.nameLitteraria Pragensiala
dcterms.isPartOf.journalYear2023
dcterms.isPartOf.journalVolume2023
dcterms.isPartOf.journalIssue66
dcterms.isPartOf.issn2571-452X
dc.relation.isPartOfUrlhttp://litteraria-pragensia.ff.cuni.cz


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