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dc.contributor.authorSkovajsa, Ondřej
dc.date.accessioned2023-12-20T09:25:09Z
dc.date.available2023-12-20T09:25:09Z
dc.date.issued2023
dc.identifier.urihttp://hdl.handle.net/20.500.11956/187220
dc.language.isoencs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectCzech balladscs
dc.subjectmnemopoeticscs
dc.subjectCzech Landscs
dc.subjectBohemiacs
dc.subjectMoraviacs
dc.subjectsmall epicscs
dc.titleThe Mnemopoetics of Czech Traditional Balladscs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
uk.abstract.enThis study aims to introduce the Czech traditional ballad to the international reader from the perspective of mnemopoetics, i.e., inherent textual patterns of orally transmitted compositions that support the singers’ memory. It discusses Czech traditional balladry’s distinctive features and important mnemopoetic textual patterns— such as first line, genre, repetition and incremental repetition, assonance/rhyme scheme, law of three, strophe patterning, and parallelism — which are illustrated in these ballads. Special focus is paid to the supra-narrative function of formulas, especially connected to green and black epithet formulas, using the analytical framework of Flemming J. Andersen’s Commonplace and Creativity: The Role of Formulaic Diction in Anglo-Scottish Traditional Balladry (Odense: Odense University Press, 1985). The study forms a conclusion that mnemopoetics of Czech ballads exist but are less prominent than in Czech traditional lyric songs, and discusses the role of Czech traditional ballads in the formation of Czech cultural memory.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.description.startPage209cs
dc.description.endPage225cs
dcterms.isPartOf.nameStudia Ethnologica Pragensiala
dcterms.isPartOf.journalYear2023
dcterms.isPartOf.journalVolume2023
dcterms.isPartOf.journalIssue1
dcterms.isPartOf.issn2336-6699
dc.relation.isPartOfUrlhttps://studiaethnologicapragensia.ff.cuni.cz/


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