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identity (3)
narrative song (3)
Albania (2)
collective memory (2)
Scotland (2)
Argentina (1)
assimilation (1)
belonging (1)
big Russian nation (1)
Bohemia (1)
broken motif (1)
broken token (1)
Central Europe (1)
Child ballads (1)
Chubut (1)
class (1)
connecting the topic (1)
constructivism (1)
current trends (1)
Czech ballads (1)
Czech Lands (1)
democracy (1)
eisteddfod (1)
emigration (1)
England (1)
epic poetry (1)
Ethnolinguistic assimilation/revitalization (1)
folksong (1)
gender (1)
Gŵyl y Glaniad (The Landing Festival) (1)
historical ballad (1)
historical memory (1)
history (1)
Hungary (1)
hymn-singing (1)
Ireland (1)
Korea (1)
lack of recognition (1)
Latin (1)
Lemkos (1)
memory (1)
Michael D. Jones (1)
military songs (1)
mnemopoetics (1)
Moravia (1)
murder ballad (1)
nation-state (1)
nationality (1)
negotiating memory (1)
neo-nationalism, (1)
new speakers (1)
Nonconformist chapels (1)
North America (1)
outlaw (1)
Patagonia (1)
Poland (1)
popular culture (1)
populism (1)
Portugal (1)
poverty (1)
primordialism (1)
prisoner song (1)
remembering (1)
remembrance (1)
romance (1)
Romania (1)
Russian Empire (1)
Russian war films (1)
Russo-Ukrainian conflict (2014–) (1)
Rusyn (1)
Scanderbeg (1)
Scottish ballads (1)
separation (1)
Serbia (1)
small epics (1)
song of bells (1)
South Slavs (1)
Soviet Union (1)
the Balkans (1)
the First World War (1)
the Great War (1)
theory and practice (1)
tragic song (1)
Transylvania (1)
Ukraine (1)
Ukrainian folk song (1)
Ukrainian nation (1)
Wales (1)
watra (1)
Welsh language (1)
women (1)