Zobrazit minimální záznam

dc.contributor.authorAlcaraz León, María José
dc.date.accessioned2023-09-25T15:02:40Z
dc.date.available2023-09-25T15:02:40Z
dc.date.issued2023-09-14
dc.identifier.urihttp://hdl.handle.net/20.500.11956/183941
dc.description.abstractRecent debates on the validity of Aesthetic Testimony and the centrality of the so-called Acquaintance Principle suggest that there is more to the proper exercise of aesthetic judgement than mere endorsement of allegedly correct aesthetic judgements. For example, although it is reasonable to follow experts’ judgements in certain matters of fact, it seems less acceptable to simply endorse or adopt experts’ judgements in the aesthetic domain. That reliance on testimony, by contrast to some other areas of judgement, is not sufficient for aesthetic judgement has encouraged scholars to focus in turn on the importance of the personal involvement and autonomy of the aesthetic agent. This special issue focuses on phenomena related to failed exercises of aesthetic judgement. The choice of the theme is motivated by the belief that a careful analysis of failures in aesthetic judgement can reveal significant aspects of the nature of aesthetic experience itself as well as the roles that perception, imagination, and learning have in its proper exercise.en
dc.language.isoen
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.publisherHelsinki University Pressen
dc.rightsThis is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.en
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.source.urihttps://estetikajournal.org
dc.subjectaesthetic judgementen
dc.subjectaesthetic misappreciationen
dc.subjectaesthetic inconsistencyen
dc.subjectaesthetic absenceen
dc.subjectaesthetic personalityen
dc.titleSpecial Issue Editorial, Introductionen
dc.typeEditorialcs
uk.abstract.enRecent debates on the validity of Aesthetic Testimony and the centrality of the so-called Acquaintance Principle suggest that there is more to the proper exercise of aesthetic judgement than mere endorsement of allegedly correct aesthetic judgements. For example, although it is reasonable to follow experts’ judgements in certain matters of fact, it seems less acceptable to simply endorse or adopt experts’ judgements in the aesthetic domain. That reliance on testimony, by contrast to some other areas of judgement, is not sufficient for aesthetic judgement has encouraged scholars to focus in turn on the importance of the personal involvement and autonomy of the aesthetic agent. This special issue focuses on phenomena related to failed exercises of aesthetic judgement. The choice of the theme is motivated by the belief that a careful analysis of failures in aesthetic judgement can reveal significant aspects of the nature of aesthetic experience itself as well as the roles that perception, imagination, and learning have in its proper exercise.en
dc.publisher.publicationPlaceHelsinkien
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.33134/eeja.440
dc.description.startPage107
dc.description.endPage114
dcterms.isPartOf.nameEstetika: The European Journal of Aestheticsen
dcterms.isPartOf.journalYear2023
dcterms.isPartOf.journalVolume2023
dcterms.isPartOf.journalIssue2
dcterms.isPartOf.eissn2571-0915


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Zobrazit minimální záznam

This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use,
distribution, and reproduction in any medium, provided the original author and source are credited.
Kromě případů, kde je uvedeno jinak, licence tohoto záznamu je This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

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