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dc.contributor.authorKania, Andrew
dc.date.accessioned2023-09-25T14:45:41Z
dc.date.available2023-09-25T14:45:41Z
dc.date.issued2022-09-15
dc.identifier.urihttp://hdl.handle.net/20.500.11956/183931
dc.description.abstractA critical note on Nemesio G. C. Puy, ‘Interpretive Authenticity: Performances, Versions, and Ontology’, Estetika 59 (2022): 135–52.en
dc.language.isoen
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.publisherHelsinki University Pressen
dc.rightsThis is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.en
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.source.urihttps://estetikajournal.org
dc.subjectmusicen
dc.subjectmusical worksen
dc.subjectperformancesen
dc.subjectauthenticityen
dc.subjectontology of musicen
dc.titleHome to Roost: Some Problems for the Nested-Types Theory of Musical Works, Versions, and Authentic Performanceen
dc.typeČlánekcs
uk.abstract.enA critical note on Nemesio G. C. Puy, ‘Interpretive Authenticity: Performances, Versions, and Ontology’, Estetika 59 (2022): 135–52.en
dc.publisher.publicationPlaceHelsinkien
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.33134/eeja.360
dc.description.startPage153
dc.description.endPage164
dcterms.isPartOf.nameEstetika: The European Journal of Aesthetics
dcterms.isPartOf.journalYear2022
dcterms.isPartOf.journalVolume2022
dcterms.isPartOf.journalIssue2
dcterms.isPartOf.eissn2571-0915


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Zobrazit minimální záznam

This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use,
distribution, and reproduction in any medium, provided the original author and source are credited.
Kromě případů, kde je uvedeno jinak, licence tohoto záznamu je This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

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