Zobrazit minimální záznam

dc.contributor.authorBaldini, Andrea Lorenzo
dc.date.accessioned2023-09-25T14:27:47Z
dc.date.available2023-09-25T14:27:47Z
dc.date.issued2022-03-05
dc.identifier.urihttp://hdl.handle.net/20.500.11956/183920
dc.description.abstractWhat is street art? This paper offers a definition of street art as an art kind or art form based on its essential value: its subversiveness. It argues that street art is essentially subversive in virtue of using public space as a technical resource. By hijacking a portion of the urban landscape with its colourful forms and witty designs, street art challenges familiar ways of practising the city, while creating a ‘temporary autonomous zone’ of free expression. There, corporate control over the city’s visible surfaces is ridiculed and people reclaim their right to use the city. In this sense, street art functions as a carnivalesque tactic of social resistance, favouring the emergence of alternative ways to imagine our urban life and our uses of public space. By considering its subversiveness, one can also explain how street art (i) significantly differs from official public art; (ii) includes graffiti as its original and most radical style.en
dc.language.isoen
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.publisherHelsinki University Pressen
dc.rightsThis is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.en
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.source.urihttps://estetikajournal.org
dc.subjectstreet arten
dc.subjectgraffitien
dc.subjectsubversivenessen
dc.subjectpublic spaceen
dc.subjectcarnivalesque resistanceen
dc.titleWhat Is Street Art?en
dc.typeVědecký článekcs
uk.abstract.enWhat is street art? This paper offers a definition of street art as an art kind or art form based on its essential value: its subversiveness. It argues that street art is essentially subversive in virtue of using public space as a technical resource. By hijacking a portion of the urban landscape with its colourful forms and witty designs, street art challenges familiar ways of practising the city, while creating a ‘temporary autonomous zone’ of free expression. There, corporate control over the city’s visible surfaces is ridiculed and people reclaim their right to use the city. In this sense, street art functions as a carnivalesque tactic of social resistance, favouring the emergence of alternative ways to imagine our urban life and our uses of public space. By considering its subversiveness, one can also explain how street art (i) significantly differs from official public art; (ii) includes graffiti as its original and most radical style.en
dc.publisher.publicationPlaceHelsinkien
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.33134/eeja.234
dc.description.startPage1
dc.description.endPage21
dcterms.isPartOf.nameEstetika: The European Journal of Aestheticsen
dcterms.isPartOf.journalYear2022
dcterms.isPartOf.journalVolume2022
dcterms.isPartOf.journalIssue1
dcterms.isPartOf.eissn2571-0915


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Zobrazit minimální záznam

This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use,
distribution, and reproduction in any medium, provided the original author and source are credited.
Kromě případů, kde je uvedeno jinak, licence tohoto záznamu je This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

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