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“ODE TO JOY” IN RUSSIAN ORTHODOX GUISE
dc.contributor.authorRubáš, Stanislav
dc.date.accessioned2022-11-25T11:58:05Z
dc.date.available2022-11-25T11:58:05Z
dc.date.issued2022
dc.identifier.urihttp://hdl.handle.net/20.500.11956/178236
dc.language.isocs_CZcs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectFriedrich Schillercs
dc.subjectFyodor Ivanovich Tyutchevcs
dc.subjectRussian Orthodox spiritualitycs
dc.subjecttranslation historycs
dc.titlePravoslavná „Óda na radost“cs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.title.translated“ODE TO JOY” IN RUSSIAN ORTHODOX GUISEcs
uk.abstract.enDrawing on the extensive research on the life and thought of the German poet Friedrich Schiller (1759–1805), most prominently by his biographers Gotthold Deile and Aleksandr Ivanovich Kirpichnikov, the paper outlines the genesis of Schiller’s “Ode to Joy,” a 1785 Masonic festive song, which has become an iconic poem of the European Enlightenment. Consequently, the author compares Schiller’s source text with its renowned 1823 translation by the Russian poet Fyodor Ivanovich Tyutchev (1803–1873). Schiller’s poem, filled with blatantly sacrilegious or, at least, unorthodox Masonic undertones, was transformed by Tyutchev into a Russian Orthodox choral, providing the translation studies scholar a unique opportunity to expound on one of the most typical imprints of Russian spirituality in the history of translation and interpretation.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366729.2022.2.8
dc.description.startPage130cs
dc.description.endPage146cs
dcterms.isPartOf.nameSvět literaturycs
dcterms.isPartOf.journalYear2022
dcterms.isPartOf.journalVolume2022
dcterms.isPartOf.journalIssue2
dcterms.isPartOf.issn2336–6729
dc.relation.isPartOfUrlhttps://svetliteratury.ff.cuni.cz


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