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dc.contributor.authorWallace, Clare
dc.date.accessioned2022-07-19T10:20:38Z
dc.date.available2022-07-19T10:20:38Z
dc.date.issued2022
dc.identifier.urihttp://hdl.handle.net/20.500.11956/174774
dc.language.isoencs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectagonismcs
dc.subjectdissensuscs
dc.subjectdialoguecs
dc.subjectLucy Kirkwoodcs
dc.subjectMosquitoescs
dc.subjectThe Welkincs
dc.subjectChantal Mouffecs
dc.subjectJacques Rancièrecs
dc.titleEmbodying Agonism in Lucy Kirkwood’s Mosquitoes and The Welkincs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
uk.abstract.enRooted in Chantal Mouffe’s conceptualisation of agonistic pluralism and Jacques Rancière’s work on dissensus, this article analyses the debate scenes of British playwright Lucy Kirkwood’s plays: Mosquitoes (2017) and The Welkin (2020). In Performing Antagonism Tony Fisher suggests that the politics of theatre and performance has formally pivoted towards “a critical politics of the visible.” The article asks what this implies in Kirkwood’s drama. In a contradictory present conjuncture where multiple forms of crisis overlap and interact, Kirkwood’s recent work hones polarised, gendered, antagonistic scenes of encounter where the challenges of dialogue, of understanding and of ethical relations are repeatedly articulated. Through close attention to the ways agonism and antagonism are embodied in the plays, the article argues that for Kirkwood dissensus operates to enact a feminist “critical politics of the visible” in which mutual recognition and resilience are keynotes.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.identifier.doi10.14712/2571452X.2022.63.3
dc.description.startPage24cs
dc.description.endPage40cs
dcterms.isPartOf.nameLitteraria Pragensia
dcterms.isPartOf.journalYear2022
dcterms.isPartOf.journalVolume2022
dcterms.isPartOf.journalIssue62
dcterms.isPartOf.issn2571-452X
dc.relation.isPartOfUrlhttp://litteraria-pragensia.ff.cuni.cz


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