‘That They Point Is All There Is to It’: Wittgenstein’s Romanticist Aesthetics
| dc.contributor.author | Verdonschot, Clinton Peter | |
| dc.date.accessioned | 2021-07-02T06:32:57Z | |
| dc.date.available | 2021-07-02T06:32:57Z | |
| dc.date.issued | 2021-03-17 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/126659 | |
| dc.language.iso | en | |
| dc.publisher | Helsinki University Press | en_US |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
| dc.rights | This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. | en_US |
| dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | |
| dc.source.uri | https://estetikajournal.org | |
| dc.subject | Wittgenstein | en |
| dc.subject | style | en |
| dc.subject | Schlegel | en |
| dc.subject | allegory | en |
| dc.subject | aesthetic reasons | en |
| dc.subject | ethical norms | en |
| dc.title | ‘That They Point Is All There Is to It’: Wittgenstein’s Romanticist Aesthetics | en |
| dc.type | Vědecký článek | cs |
| uk.abstract.en | Why is aesthetics important to Wittgenstein? What, according to him, is the function of the aesthetic? My answer consists of three parts: first, I argue that Wittgenstein finds himself in an aporia of normative consciousness – that is to say, a problem with regard to our awareness of the world in terms of its relation to a norm. Second, I argue that the function of Wittgenstein’s aesthetic writings is to deal with this aporia. Third, through a comparison with Friedrich Schlegel’s writings on allegory, I try to show that the way in which Wittgenstein resolves the aporia renders him a Romanticist philosopher. The point of an aesthetic interaction, for Wittgenstein, is that it can render clear what cannot be described without running against the walls of our cage: the absolute. Through aesthetic interactions we are able to (indirectly) access a ground for norms by which we experience ourselves as unconditionally bound. | cs |
| uk.internal-type | uk_publication | |
| dc.identifier.doi | https://doi.org/10.33134/eeja.222 | |
| dc.identifier.eissn | 2571-0915 | |
| dc.description.startPage | 72 | |
| dc.description.endPage | 88 | |
| dcterms.isPartOf.name | Estetika: The European Journal of Aesthetics | |
| dcterms.isPartOf.journalYear | 2021 | |
| dcterms.isPartOf.journalVolume | 2021 | |
| dcterms.isPartOf.journalIssue | 1 |
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distribution, and reproduction in any medium, provided the original author and source are credited.