A dictionary of theatre anthropology: the secret art of the performer
| dc.contributor.author | Barba, Eugenio | |
| dc.contributor.author | Savarese, Nicola | |
| dc.date.accessioned | 2020-11-09T07:57:31Z | |
| dc.date.available | 2020-11-09T07:57:31Z | |
| dc.date.issued | 2006 | |
| dc.identifier.isbn | 978-0-415-37861-1 | cs_CZ |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/123111 | |
| dc.description | Obsah (FF) |a Preface Eurasian Theatre -- Eugenio Barba 5 Eurasian theatre - Eugenio Barba -- Dawn 102; Eurasian theatre 102; Anti-tradition 102; -- Introduction Why 103; Roots 103; Village 104; To interpret a text or -- Theatre anthropology - Eugenio Barba 6 to create a context 104; Spectator -- Similar principles different performances 6; Lokadharmi Incomprehensions and inventions: from the Silk Road to -- and Natyadharmi 7; Balance in action 8; The dance of Seki Sano - Nicola Savarese -- oppositions 10; The virtue of omission 12; Intermezzo -- ; A decided body 16; A fictive body 17; A million -- Exercises -- candles 18 c -- Score and subscore: the significance or exercise in the actor s -- Anatomy dramaturgy - Eugenio Barba -- Can the sea rise above the mountain tops? - Nicola Savarese A physical action: the smallest perceptible action 112; 22 The age of exercises 112; Inner life and interpretation -- ; The complexity of emotion 114; The real relation-Apprenticeship ship 116; Sport as dance 116; The physical dialogue with -- Western examples - Eabrizio Cruciani 24 the spectators 116; The real action 117; Meyerhold’s -- Founding fathers and pedagogical theatre at the begin- theatre fission 118; The exercise: a model of organic and ning of the twentieth century 24; Creative process theatre dynamic dramaturgy 120; Form rhythm flow 120; Tacit school and theatre culture 24; Author’s pedagogy 26 knowledge -- An Indian example - Rosemary Jeanes Antze -- Guru as parent honoured preceptor 28; Guru-kula Face and eyes -- study in the guru’s home 29; Guru-dakshina gifts and Physiology and codification 122; The concrete gaze 126; fees 30; Ekalavya disciple extraordinaire 31; Guru- The action of seeing 129; Showing that one is seeing 130; shishya-parampara 31 The natural face 134; The provisional face 136; The painted -- face -- Balance | cs_CZ |
| dc.language.iso | en | cs_CZ |
| dc.publisher | Routledge | cs_CZ |
| dc.rights | Dokument je na základě zákona č. 121/2000 Sb., o právu autorském a o právech souvisejících s právem určen pouze pro studijní účely studentů se specifickými potřebami. Jeho další šíření je zakázáno. | cs_CZ |
| dc.subject | divadlo | cs_CZ |
| dc.subject | antologie | cs_CZ |
| dc.title | A dictionary of theatre anthropology: the secret art of the performer | cs_CZ |
| dc.type | Kniha | cs_CZ |
| dc.identifier.aleph | 002387876 | cs_CZ |
| uk.internal-type | uk_digilit | |
| oaire.citationEdition | Second edition | cs_CZ |
| dc.contributor.trl | Fowler Richard | |
| uk.carolinaId.book | 2006 | |
| uk.carolinaFormat | application/pdf | cs_CZ |
| uk.publication-place | London | cs_CZ |
| uk.sourceCollectionName.en | Digitization Centre of the Carolina Centre | |
| uk.sourceCollectionName.cs | Digitalizační středisko Centra Carolina | |
| dc.relation.sourceCollectionURL | https://dspace.cuni.cz/handle/20.500.11956/108695 |
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