| dc.contributor.author | Müller, Richard | |
| dc.date.accessioned | 2020-07-13T11:23:27Z | |
| dc.date.available | 2020-07-13T11:23:27Z | |
| dc.date.issued | 2020 | |
| dc.identifier.issn | 2336–6729 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/118451 | |
| dc.language.iso | cs_CZ | cs_CZ |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
| dc.rights | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
| dc.source | Svět literatury, 2020, 61, 94-105 | cs_CZ |
| dc.source.uri | https://svetliteratury.ff.cuni.cz | |
| dc.subject | Vladimir Nabokov | cs_CZ |
| dc.subject | Jan Mukařovský | cs_CZ |
| dc.subject | sémantické gesto | cs_CZ |
| dc.subject | nezáměrnost | cs_CZ |
| dc.subject | medialita | cs_CZ |
| dc.title | Gesto a nezáměrnost „Sester Vaneových“ (1951) | cs_CZ |
| dc.title.alternative | GESTURE AND UNINTENTIONALITY OF “THE VANE SISTERS” (1951) | cs_CZ |
| dc.type | Vědecký článek | cs_CZ |
| uk.abstract.en | This article presents an interpretation of Vladimir Nabokov’s story “The Vane Sisters” in the light of Jan Mukařovský’s concepts of semantic gesture and unintentionality (nezáměrnost). At the same time, medial implications of Nabokov’s text are recognized, forcing a certain modification of the aforementioned concepts, taking into account the phenomenon of medial self-reflectivity. | cs_CZ |
| dc.publisher.publicationPlace | Praha | cs_CZ |
| uk.internal-type | uk_publication | |
| dc.identifier.doi | 10.14712/23366729.2020.1.7 | cs_CZ |
| dc.description.startPage | 94 | |
| dc.description.endPage | 105 | |
| dcterms.isPartOf.name | Svět literatury | cs_CZ |
| dcterms.isPartOf.journalYear | 2020 | |
| dcterms.isPartOf.journalVolume | 2020 | |
| dcterms.isPartOf.journalIssue | 61 | |
