dc.contributor.author | Kaplický, Martin | |
dc.date.accessioned | 2019-12-17T11:49:00Z | |
dc.date.available | 2019-12-17T11:49:00Z | |
dc.date.issued | 2019 | |
dc.identifier.issn | 2336-6680 | |
dc.identifier.uri | http://hdl.handle.net/20.500.11956/115555 | |
dc.language.iso | cs_CZ | cs_CZ |
dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
dc.source | Slovo a smysl - Word & Sense, 2019, 16, 32, 203-214 | cs_CZ |
dc.source.uri | https://wordandsense.ff.cuni.cz | |
dc.subject | Roman Ingarden | cs_CZ |
dc.subject | Wolfgang Iser | cs_CZ |
dc.subject | literary theory | cs_CZ |
dc.subject | places of indeterminacy | cs_CZ |
dc.subject | blanks | cs_CZ |
dc.subject | reading process | cs_CZ |
dc.subject | literární teorie | cs_CZ |
dc.subject | místa nedourčenosti | cs_CZ |
dc.subject | prázdná místa | cs_CZ |
dc.subject | proces čtení | cs_CZ |
dc.title | Kombinace, nebo doplnění? O dvou typech procesu v literární teorii Romana Ingardena a Wolfganga Isera | cs_CZ |
dc.type | Vědecký článek | cs_CZ |
uk.abstract.en | There can be no doubt that Wolfgang Iser’s literary theory was strongly influenced by Roman Ingarden’s writings on literature. Iser often quotes from Ingarden and develops some of his key ideas. The
main aim of this article is to show that even in the cases where Iser develops Ingarden’s ideas and
concepts he significantly changes their meaning and function. This tendency is not arbitrary but
rather mirrors the difference of aims between the two theories. In this article, the author tries to
show how Ingarden’s theory revolves around his consideration of the differences between the real
and purely intentional object. Here, the literary work serves as an example of the purely intentional
object. By contrast, Iser’s work revolves around his opposition to any theory which emphasizes the
essential meaning of a work of literature without considering the reading process itself. This attention to the reading process is the main aim of Iser’s theory. The article develops the thesis that the two
opposing definitions of the literary work arise from this essential difference, which in turn explains
the dissimilarity, in terms of both meaning and function, between such seemingly similar concepts
as Ingarden’s ‘places of indeterminacy’ (die Unbestimmtheitstellen) and Iser’s ‘blanks’ (die Leerstellen). | cs_CZ |
uk.internal-type | uk_publication | |
dc.identifier.doi | 10.14712/23366680.2019.2.9 | cs_CZ |
dc.description.startPage | 203 | |
dc.description.endPage | 214 | |
dcterms.isPartOf.name | Slovo a smysl - Word & Sense | cs_CZ |
dcterms.isPartOf.journalYear | 2019 | |
dcterms.isPartOf.journalVolume | 16 | |
dcterms.isPartOf.journalIssue | 32 | |