dc.contributor.author | Málek, Petr | |
dc.date.accessioned | 2019-12-17T11:48:11Z | |
dc.date.available | 2019-12-17T11:48:11Z | |
dc.date.issued | 2019 | |
dc.identifier.issn | 2336-6680 | |
dc.identifier.uri | http://hdl.handle.net/20.500.11956/115548 | |
dc.language.iso | cs_CZ | cs_CZ |
dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
dc.source | Slovo a smysl - Word & Sense, 2019, 16, 32, 32-108 | cs_CZ |
dc.source.uri | https://wordandsense.ff.cuni.cz | |
dc.subject | Richard Weiner | cs_CZ |
dc.subject | Jakub Deml | cs_CZ |
dc.subject | Jaroslav Durych | cs_CZ |
dc.subject | Konstantin Biebl | cs_CZ |
dc.subject | Karel Čapek | cs_CZ |
dc.subject | Vladislav Vančura | cs_CZ |
dc.subject | Walter Benjamin | cs_CZ |
dc.subject | Marcel Proust | cs_CZ |
dc.subject | Edmund Husserl | cs_CZ |
dc.subject | Ferdinand Peroutka | cs_CZ |
dc.subject | Martin Heidegger | cs_CZ |
dc.subject | Jiří Brabec | cs_CZ |
dc.subject | poetics | cs_CZ |
dc.subject | poet | cs_CZ |
dc.subject | dream | cs_CZ |
dc.subject | polemic | cs_CZ |
dc.subject | failure | cs_CZ |
dc.subject | history | cs_CZ |
dc.subject | linguistics | cs_CZ |
dc.subject | allegory | cs_CZ |
dc.subject | melancholy | cs_CZ |
dc.subject | poetika | cs_CZ |
dc.subject | básník | cs_CZ |
dc.subject | sen | cs_CZ |
dc.subject | polemika | cs_CZ |
dc.subject | ztroskotání | cs_CZ |
dc.subject | dějiny | cs_CZ |
dc.subject | lingvistika | cs_CZ |
dc.subject | alegorie | cs_CZ |
dc.subject | melancholie | cs_CZ |
dc.title | 1929. Rok (nejen) Lazebníka: Poetika, sen, polemika | cs_CZ |
dc.title.alternative | 1929. The Year (Not Only) of The Barber-Surgeon: Poetics, Dream, Literary Polemics | cs_CZ |
dc.type | Vědecký článek | cs_CZ |
uk.abstract.en | Drawing its methodological inspiration from A History of New Modernism. Czech Literature, 1905–1923
(2010), this study aims to present the development of Czech literature over the course of a single
year: 1929. The objective, however, is not to portray the literary events and literary production of this
year in the manner of a chronicle, nor in their entirety, but to capture certain ‘nodal’ characteristics
of the imagination and literary language. There is one event that allows the author to take this approach — i.e. to identify themes, images and figures that are typical of the artistic discourse of the
period —, namely the publication of Richard Weiner’s The Barber-Surgeon. The themes, motives, and
figures found in this text (dream and dream writing, language, failure, literary polemics) constitute a point of departure for grasping the dominant features of a literary period which is otherwise
rather amorphous. By virtue of Weiner’s poetics, a thread of sense begins to emerge, and eventually
the ‘story’ or ‘drama’ of 1929, out of the re-constructed configurations and correlations of several
different literary texts. Through its ‘otherness’, Weiner’s ‘dream poetics’ separated itself from the
universalizing aesthetic concept of its time, thus falling ‘out of the picture’ from the perspective of
literary history. By contrast, the author considers it as the central feature of a network of relations
among a number of texts published in 1929: the short story AM from Jakub Deml’s collection My Purgatory; the poem The New Icarus by Konstantin Biebl; Karel Čapek’s Tales from Two Pockets; Jaroslav
Durych’s essay on Poetics; and Vladislav Vančura’s novel The Last Judgement. The themes and figures
under consideration here — poetics, dreams, dream writing and literary polemics — are all related
to the writer’s self-consciousness in the creative process and the attention paid by the writer to material elements of the work. This manifests itself as an interest in the question of poetics and in a vivid
‘linguistic awareness’, which is also manifested in the widespread interest in questions of language
and the culture of language that Czech linguists, especially those associated with the Prague Linguistic Circle, studied in accordance with — and in dialogue with — contemporary trends in modern art. | cs_CZ |
uk.internal-type | uk_publication | |
dc.identifier.doi | 10.14712/23366680.2019.2.2 | cs_CZ |
dc.description.startPage | 32 | |
dc.description.endPage | 108 | |
dcterms.isPartOf.name | Slovo a smysl - Word & Sense | cs_CZ |
dcterms.isPartOf.journalYear | 2019 | |
dcterms.isPartOf.journalVolume | 16 | |
dcterms.isPartOf.journalIssue | 32 | |