„Neposlouchám, co mi říká, zato slyším, co nepovídá.“ Vyprávěcí postupy a kompozice próz Anny Blažíčkové
‘I do not listen to what she tells me, though I hear what she does not say.’ Narrative Techniques and Composition in Anna Blažíčková’s Prose Works
| dc.contributor.author | Smějsíková, Magdaléna | |
| dc.date.accessioned | 2019-09-25T13:02:28Z | |
| dc.date.available | 2019-09-25T13:02:28Z | |
| dc.date.issued | 2019 | |
| dc.identifier.issn | 2336-6680 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/108996 | |
| dc.language.iso | cs_CZ | cs_CZ |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.0/ | |
| dc.source | Slovo a smysl - Word & Sense, 2019, 16, 31, 174-190 | cs_CZ |
| dc.source.uri | https://wordandsense.ff.cuni.cz | |
| dc.subject | Anna Blažíčková | cs_CZ |
| dc.subject | Waiting in the Crowd | cs_CZ |
| dc.subject | Woodbine | cs_CZ |
| dc.subject | Now Something from Life | cs_CZ |
| dc.subject | narrator | cs_CZ |
| dc.subject | composition | cs_CZ |
| dc.subject | Čekání v zástupu | cs_CZ |
| dc.subject | Psí víno | cs_CZ |
| dc.subject | Teď něco ze života | cs_CZ |
| dc.subject | vypravěč | cs_CZ |
| dc.subject | kompozice | cs_CZ |
| dc.title | „Neposlouchám, co mi říká, zato slyším, co nepovídá.“ Vyprávěcí postupy a kompozice próz Anny Blažíčkové | cs_CZ |
| dc.title.alternative | ‘I do not listen to what she tells me, though I hear what she does not say.’ Narrative Techniques and Composition in Anna Blažíčková’s Prose Works | cs_CZ |
| dc.type | Vědecký článek | cs_CZ |
| uk.abstract.en | This study analyzes narrative techniques, self-reflexive features and elements of composition in three published novels for adults by Anna Blažíčková: Woodbine, Now Something from Life, and Waiting in the Crowd. Picking up on the use of real names and events in Woodbine and Now Something from Life, reviews tend to emphasize the autobiographical dimension of these works. This study aims to present a new perspective, focusing on Anna Blažíčková’s work as a whole, thus revealing the full repertoire of elements and practices featured in the texts, as well as the self-contained world of her prose in which the sentient subject is inscribed. | cs_CZ |
| uk.internal-type | uk_publication | |
| dc.identifier.doi | 10.14712/23366680.2019.1.10 | cs_CZ |
| dc.description.startPage | 174 | |
| dc.description.endPage | 190 | |
| dcterms.isPartOf.name | Slovo a smysl - Word & Sense | cs_CZ |
| dcterms.isPartOf.journalYear | 2019 | |
| dcterms.isPartOf.journalVolume | 16 | |
| dcterms.isPartOf.journalIssue | 31 |
Soubory tohoto záznamu
Tento záznam se objevuje v následujících sbírkách
-
Číslo 31 [22]
Issue 31
Kromě případů, kde je uvedeno jinak, licence tohoto záznamu je http://creativecommons.org/licenses/by-nc-nd/2.0/