„Orlové literární revoluce.“ F. X. Šalda a/versus Arnošt Procházka (a Moderní revue)

Merhaut, Luboš

‘The Eagles of Literary Revolution’: F. X. Šalda and / versus Arnošt Procházka (and Moderní Revue)

dc.contributor.author	Merhaut, Luboš
dc.date.accessioned	2019-01-21T15:24:17Z
dc.date.available	2019-01-21T15:24:17Z
dc.date.issued	2018
dc.identifier.issn	2336-6680
dc.identifier.uri	http://hdl.handle.net/20.500.11956/104564
dc.publisher	Univerzita Karlova, Filozofická fakulta	cs_CZ
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/2.0/
dc.source	Slovo a smysl - Word & Sense, 2018, 15, 30, 71-101	cs_CZ
dc.source.uri	https://wordandsense.ff.cuni.cz
dc.subject	F. X. Šalda	cs_CZ
dc.subject	Arnošt Procházka	cs_CZ
dc.subject	Jiří Karásek ze Lvovic	cs_CZ
dc.subject	Moderní revue	cs_CZ
dc.subject	spor	cs_CZ
dc.subject	žánr polemiky	cs_CZ
dc.subject	modernismus	cs_CZ
dc.subject	syntetismus	cs_CZ
dc.subject	dekadence	cs_CZ
dc.subject	generace	cs_CZ
dc.subject	kritika	cs_CZ
dc.subject	aféra	cs_CZ
dc.subject	F. X. Šalda	cs_CZ
dc.subject	Arnošt Procházka	cs_CZ
dc.subject	Jiří Karásek ze Lvovic	cs_CZ
dc.subject	Moderní revue	cs_CZ
dc.subject	controversy	cs_CZ
dc.subject	polemic as genre	cs_CZ
dc.subject	modernism	cs_CZ
dc.subject	Synthetism	cs_CZ
dc.subject	the Decadent Movement	cs_CZ
dc.subject	generation	cs_CZ
dc.subject	critique	cs_CZ
dc.subject	affair	cs_CZ
dc.title	„Orlové literární revoluce.“ F. X. Šalda a/versus Arnošt Procházka (a Moderní revue)	cs_CZ
dc.title.alternative	‘The Eagles of Literary Revolution’: F. X. Šalda and / versus Arnošt Procházka (and Moderní Revue)	cs_CZ
dc.type	Vědecký článek	cs_CZ
uk.abstract.en	The development of a professional network, as well as long-standing disputes, among the most prominent representatives of Czech modernism at the turn of the 19th and 20th centuries — F. X. Šalda on the one hand, and Arnošt Procházka and the Moderní revue (especially Jiří Karásek) on the other — can be traced through several stages. First, 1893–1895, a period of mutual curiosity and emerging factions, from the earliest meeting up to the formal manifestation of Česká moderna, which was preceded by the establishment of the Moderní revue as first independent literary platform of the 1890s. Second, 1895–1900, a period in which various trends converged in the connection of art to life and society, and in a confrontation with other emerging, alternative concepts of modernism, namely Synthetism. Third, 1900–1910, a period that looks back, from the strata of generational polemics, culminating in the controversy surrounding Šalda’s pseudonyms, to the accusation of Karásek in what has come to be known as the anonymous letters affair. Fourth, 1910–1925, when each side declared hostility towards, or simply ignored, the other’s role in Czech modernism, from the conclusion of the anonymous letters affair to Procházka’s death. This study focuses in particular on the two initial periods, on the roots of the polemic, and on key moments in the 1890s: that is, on the onset and gradual differentiation of modernist literary creation and criticism in all its forms, on the transformations and extremes of the polemic as the example of a genre whose essence is dialogue and misunderstanding in equal parts. While the polemic is often rife with personal attacks, it also tends to crystallize in a mirror that reveals the collisions and transformations of Czech modern aesthetic thinking, and that illuminates connections and transitions in the field of literary and cultural production.	cs_CZ
uk.internal-type	uk_publication
dc.description.startPage	71
dc.description.endPage	101
dcterms.isPartOf.name	Slovo a smysl - Word & Sense	cs_CZ
dcterms.isPartOf.journalYear	2018
dcterms.isPartOf.journalVolume	15
dcterms.isPartOf.journalIssue	30

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