http://hdl.handle.net/20.500.11956/183765 Issue 1 Tue, 07 Apr 2026 03:37:49 GMT 2026-04-07T03:37:49Z http://hdl.handle.net/20.500.11956/183926 Artistic Creation and Ethical Criticism by Ted Nannicelli Bokiniec, Monika A book review of Ted Nannicelli, Artistic Creation and Ethical Criticism. New York: Oxford University Press, 2020, 288 pp. ISBN 9780197507247. Tue, 15 Mar 2022 00:00:00 GMT http://hdl.handle.net/20.500.11956/183926 2022-03-15T00:00:00Z http://hdl.handle.net/20.500.11956/183925 Radically Rethinking Copyright in the Arts: A Philosophical Approach by James O. Young Baldini, Andrea Lorenzo A book review of James O. Young, Radically Rethinking Copyright in the Arts: A Philosophical Approach. New York: Routledge, 2021, 184 pp. ISBN 978-0-367–52183–7. Tue, 15 Mar 2022 00:00:00 GMT http://hdl.handle.net/20.500.11956/183925 2022-03-15T00:00:00Z http://hdl.handle.net/20.500.11956/183924 Critical Note on James Harold’s Dangerous Art Vidmar Jovanovic, Iris; Stupnik, Valentina Marianna This paper critically examines James Harold’s book Dangerous Art: On Moral Criticism of Artworks. New York: Oxford University Press, 2020, 206 pp. ISBN 978-0197519769. Tue, 15 Mar 2022 00:00:00 GMT http://hdl.handle.net/20.500.11956/183924 2022-03-15T00:00:00Z http://hdl.handle.net/20.500.11956/183923 Aesthetic Understanding Page, Jeremy In this paper, I introduce an account of aesthetic understanding. Recent discussions of aesthetic understanding have associated it with aesthetic justification and with understanding why, for example, a given object is aesthetically valuable. I introduce a notion of aesthetic understanding as a form of objectual understanding, which I refer to as ‘appreciative understanding’. Appreciative understanding is related to and partly constituted by an agent’s capacity to comprehend and experience an artwork holistically and to communicate effectively regarding its particular aesthetic character and value. I then argue for the understanding account of aesthetic judgement on which the paradigmatic form of aesthetic judgement is grounded on appreciative understanding. This argument partly consists in demonstrating how the understanding account can explain the autonomy of aesthetic judgement. In closing, I explore the potential of the understanding account to explain the structure of our appreciative practices. That is, I put forward the view that our appreciative practices are structured so as to promote appreciative understanding. Tue, 15 Mar 2022 00:00:00 GMT http://hdl.handle.net/20.500.11956/183923 2022-03-15T00:00:00Z