http://hdl.handle.net/20.500.11956/96254 Volume 2016 2026-04-21T02:42:02Z http://hdl.handle.net/20.500.11956/97378 Dějiny a politické myšlení v Kosmově kronice; rubrika: Kritické rozhledy; ; 2016-01-01T00:00:00Z http://hdl.handle.net/20.500.11956/97175 Zdenka Braunerová, Claudelova „fortnýřka“ v Praze; Zdenka Braunerová, Claudel’s Prague ‘Gate-Keeperʼ ; ; The artist-painter Zdenka Braunerová, as patriotic as she was immersed in European culture, wasthe incarnation of Bohemian qualities for Paul Claudel. Her personal, spiritual, and artistic devotionto the poet provided him with access to the Czech Baroque. 2016-01-01T00:00:00Z http://hdl.handle.net/20.500.11956/97183 Nesamozřejmé a inspirativní hledání a nalézání smyslu; ; ; 2016-01-01T00:00:00Z http://hdl.handle.net/20.500.11956/97180 Existence a ten, kdo omdlívá ve V(v)ěci Makropulos, Tažení stínů (moderny) a v Duchu (středoevropské) země; Existence and He, Who Faints at The Makropulos Affair, The Campaign of Shadows (Modernism) and The Spirit of the (Central European) Land ; ; This study is concerned with the swooning as one of the characteristic motifs of modernism, arising from a period of reflexive attention. First it will examine this in the dramas of Arthur Schnitzler Zug der Schatten and Frank Wedekind’s Erdgeist, then will turn to the demarcated realm of Central European Modernism (with support from Moritz Csáky’s characterization of Zentraleurope) as located in the works of Karel Čapek. Janáček’s libreto The Makropulos Affair comments on the basic polemics in whose background are shown the crucial importance of the motif of fainting in the overall construction of Čapek’s early works. 2016-01-01T00:00:00Z