<?xml version="1.0" encoding="UTF-8"?>
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<title>Zvláštní vydání - El mundo de la literatura</title>
<link href="http://hdl.handle.net/20.500.11956/96305" rel="alternate"/>
<subtitle>Special Issue - El mundo de la literatura</subtitle>
<id>http://hdl.handle.net/20.500.11956/96305</id>
<updated>2026-04-04T22:57:52Z</updated>
<dc:date>2026-04-04T22:57:52Z</dc:date>
<entry>
<title>Carlos de Sigüenza y Góngora - el paraíso terrenal en la Nueva España</title>
<link href="http://hdl.handle.net/20.500.11956/97115" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/20.500.11956/97115</id>
<updated>2024-08-09T13:00:27Z</updated>
<published>2016-01-01T00:00:00Z</published>
<summary type="text">Carlos de Sigüenza y Góngora - el paraíso terrenal en la Nueva España; CARLOS DE SIGÜENZA Y GÓNGORA - THE IDEA OF THE EARTHLY PARADISE IN NEW SPAIN
; ; This paper deals with different possible ways to approach the idea of the “Earthly Paradise” in a religious chronicle, written by Carlos de Sigüenza y Góngora. His work connects the mythological and utopian understanding of the “Paradise”, placed in the West, with its religious and allegorical dimension. His possible aim is to display the patriotic pride through the hagiographical depiction of virtuous nuns.
</summary>
<dc:date>2016-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>El Inca Garcilaso y sus proyecciones</title>
<link href="http://hdl.handle.net/20.500.11956/97112" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/20.500.11956/97112</id>
<updated>2024-08-09T13:00:27Z</updated>
<published>2016-01-01T00:00:00Z</published>
<summary type="text">El Inca Garcilaso y sus proyecciones; INCA GARCILASO AND HIS PROJECTIONS
; ; The reading of Inca Garcilaso de la Vega faces the multiplicity of perspectives which emerge from his texts, and a number of discursive functions which create bridges between his cultural production and ours. His culture is defined by two coasts with his discourse moving between them; he adopts the position of a mediator in his cultural, creative, and translation practice. Inca Garcilaso emerges as an early model of a transplanted (transterrado) intellectual. His works unite the oral and the written, the indigenous lore, the memory of his ancestors alongside the narrations of the chroniclers and that of the conquistadors, all for the sake of an identity which he reclaimed with urgency. It is this plurality of cultures and lores which makes him enormously topical today.
</summary>
<dc:date>2016-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Rubén Darío y la pintura. Principio ekfrástico y sinestesia</title>
<link href="http://hdl.handle.net/20.500.11956/97114" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/20.500.11956/97114</id>
<updated>2024-08-09T13:00:27Z</updated>
<published>2016-01-01T00:00:00Z</published>
<summary type="text">Rubén Darío y la pintura. Principio ekfrástico y sinestesia; RUBÉN DARÍO AND PAINTING. EKPHRASTIC PRINCIPLE AND SYNESTHESIA
; ; The article examines the relationships between literature and painting in the works of Rubén Darío. The issue is seen in the context of modernis synesthesia, which was strongly present in the literary ideology of the modernist discourse, and it is analyzed with the help of the theories of ekphrasis of Murray Krieger. In Darío’s canonical works painting plays an important role, both in the form of literary references, and the so called “transpositions of art”, in its intent to create a total art.
</summary>
<dc:date>2016-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Los náufragos del XVI. La experiencia en el mundo del otro</title>
<link href="http://hdl.handle.net/20.500.11956/97113" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/20.500.11956/97113</id>
<updated>2024-08-09T13:00:27Z</updated>
<published>2016-01-01T00:00:00Z</published>
<summary type="text">Los náufragos del XVI. La experiencia en el mundo del otro; THE 16TH CENTURY CASTAWAYS: AN EXPERIENCE IN THE WORLD OF THE OTHER
; ; The shipwreck accounts of the 16th century are not only fascinating documents about very extreme experiences, but they can be seen also as interesting literary documents. Álvar Núñez Cabeza de Vaca, the most famous Spanish castaway, was forced to spend almost ten years among different indigenous tribes. His account is a testimony of his unusual experiences and it is very interesting from the point of view of narrative techniques since he had to find the way to narrate his strange story. It is also important to compare his account with other shipwreck accounts since they share many images and motifs.
</summary>
<dc:date>2016-01-01T00:00:00Z</dc:date>
</entry>
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