Issue 53 http://hdl.handle.net/20.500.11956/96303 2026-04-04T22:57:50Z 2026-04-04T22:57:50Z http://hdl.handle.net/20.500.11956/97066 2024-08-09T12:58:34Z 2016-01-01T00:00:00Z

Kunderovy romány psané ve Francii; Kundera’s Novels Written in France; ; ; The contribution characterises the poetics of the last four novels written by Milan Kundera (Slowness, Identity, Ignorance, The Festival of Insignificance). Despite certain differences the author of the essay particularly pays attention to elements in which “the French series” follows the poetics of the novels written in Czech (existential theme, sarcastic humour etc.)

2016-01-01T00:00:00Z http://hdl.handle.net/20.500.11956/97044 2024-08-09T12:58:34Z 2016-01-01T00:00:00Z

O vývojových tendencích v novočeském vyprávění; Several Notes to the Developmental Tendencies in Modern Czech Narration; ; ; The contribution summarizes and recapitulates issues of narrative historical poetics. It deepens knowledge of profile narrative texts (classic and modern) and narrative modes (rhetorical, objective and subjective narration) with respect to the developmental point of view. In conformity with Doležel’s requirement of the research on narrative transformations in so called longue durée (long duration) the contribution observes the processes of subjectivisation and objectivisation of modern Czech narration.

2016-01-01T00:00:00Z http://hdl.handle.net/20.500.11956/96947 2024-08-09T12:58:34Z 2016-01-01T00:00:00Z

Teorie fikčních světů a genologie; Theory of Fictional Worlds and Genology; ; ; The article examines the possibility and the merits of a dialogue between genology and the theory of fictional worlds. It focuses particularly on the areas where Czech or Czech-related theory of fictional worlds (Zuska, Doležel, Traillová) offers a typology of fictional worlds, and it evaluates the potential application of such typology in genology. The types of fictional worlds, or the groups of texts defined by these types, cannot be seen quite as genological units (taxons), but they can play an important role for genology as the s.c. modus.

2016-01-01T00:00:00Z http://hdl.handle.net/20.500.11956/96845 2024-08-09T12:58:34Z 2016-01-01T00:00:00Z

Dvojí inspirace ruské identity na počátku 20. století; Two Forms of Russian Identity at the Beginning of the 20th Century; ; ; The problem of identity, which was felt by every society, acquired a systematic form during the modern era. The identity of modern Europe in comparison to the Ancient culture had become the topic of reflection. Such reflections turned into the philosophy of history, particularly in German idealism (Fr. Schiller, G. W. Fr. Hegel, Fr. W. J. Schelling), through the comparison of classic epic and modern novel, and the ancient tragedy with the tragedy of Shakespeare. European identity was identified with the rationalism and individualism of “modernity”. In contrast to this, conceptions based on the neo-platonic idea of cosmos appeared. These were typical of Russian philosophy, which emphasized the idea of salvation in “sobornost” (A. S. Khomyakov) and “mystic anarchism” (Vyacheslav Ivanov). In the 20th century, the so-called Eurasianism formulated a new concept of the identity of the space originally controlled by the Russian empire, not as the place of the redemptory fulfillment of history, but identity based on the idea of the eternal movement and fight.

2016-01-01T00:00:00Z