Issue 1-2 http://hdl.handle.net/20.500.11956/96272 2026-04-05T11:37:08Z 2026-04-05T11:37:08Z http://hdl.handle.net/20.500.11956/97198 2024-08-09T12:41:02Z 2015-01-01T00:00:00Z

Současný stav poznání pozdní doby bronzové v jižních Čechách; Gegenwärtiger Forschungsstand der späten Urnenfelderzeit in Südböhmen; ; ; Der Beitrag stellt eine Übersicht des aktuellen Kenntnisstandes der späten Urnenfelderzeit (d.h. der Stufe Ha B) in Südböhmen dar. Damit knüpft er an die wegweisende Arbeit von Jan Bouzek aus der Mitte der 60. Jahre. Obwohl die Fundbasis in den letzten Jahren sich markant erhöht hatte, bleibt die späte Urnenfelderzeit eine der am wenigsten bekannten Epochen der südböhmischen Vorgeschichte. Es sind dort nach wie vor keine Gräber bekannt und das eventuelle Überleben der Besiedlung in die folgende Eisenzeit ist ebenfalls nach wie vor unklar.

2015-01-01T00:00:00Z http://hdl.handle.net/20.500.11956/97168 2024-08-09T12:41:02Z 2015-01-01T00:00:00Z

Obříství, a Late Bronze Age Port of Trade in Central Bohemia; ; ; The paper discusses the Late Bronze Age in the site of Obříství, located in a strategic area defined by the confluence of Bohemia’s two major rivers – the Elbe and the Vltava. Based on the extensive rescue excavations which have been recently conducted; on the analysis of the Knovíz culture settlement development in the studied microregion; and on specific finds including fragments of raw amber, this site is considered as a probable major centre of trade and of long distance contacts during the Late Bronze Age.

2015-01-01T00:00:00Z http://hdl.handle.net/20.500.11956/97167 2024-08-09T12:41:01Z 2015-01-01T00:00:00Z

Roman Metal Vessels in the Milieu of Germanic Elites in the Middle Danube Region; ; ; This text summarises the current state of research into Roman metal vessels and confronts it with finds from the Middle Danube region. The occurrence of such metal vessels, connected usually with the elites, will be placed against relevant historical context, especially within the Roman Period.

2015-01-01T00:00:00Z http://hdl.handle.net/20.500.11956/97000 2024-08-09T12:41:02Z 2015-01-01T00:00:00Z

Malé versus velké aneb umělcova touha; Klein versus groSS oder das Verlangen des Künstlers; ; ; The main theme of this contribution is the question whether artists were inspired by so‑called ‘small arts’ or ‘grand arts’ respectively ‘fine arts’. All of this is related to the fundamental distinction among ‘applied arts’ respectively crafts and ‘fine arts’. Subsequently the usefulness of arts is examined. In particular, the artworks of the sculptor Bohuslav Schnirch, whose sources of inspiration are analysed, could be held up as an example of the inclination to ‘grand arts’. Similarly Hugo Demartini’s affection towards ‘ancient arts’ in the 20th century is expressed by his own words.

2015-01-01T00:00:00Z