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<title>Ročník 2022</title>
<link href="http://hdl.handle.net/20.500.11956/173563" rel="alternate"/>
<subtitle>Volume 2022</subtitle>
<id>http://hdl.handle.net/20.500.11956/173563</id>
<updated>2026-04-19T11:43:44Z</updated>
<dc:date>2026-04-19T11:43:44Z</dc:date>
<entry>
<title>Probing the Neglected Oeuvre of Walter Macken</title>
<link href="http://hdl.handle.net/20.500.11956/179042" rel="alternate"/>
<author>
<name>Pilný, Ondřej</name>
</author>
<id>http://hdl.handle.net/20.500.11956/179042</id>
<updated>2023-12-23T02:16:36Z</updated>
<published>2022-01-01T00:00:00Z</published>
<summary type="text">Probing the Neglected Oeuvre of Walter Macken
Pilný, Ondřej
</summary>
<dc:date>2022-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Verbal Arts and Storytelling in Mouloud Feraoun’s La Terre et le sang (1953)</title>
<link href="http://hdl.handle.net/20.500.11956/179041" rel="alternate"/>
<author>
<name>Naar Gada, Nadia</name>
</author>
<id>http://hdl.handle.net/20.500.11956/179041</id>
<updated>2024-01-03T02:36:05Z</updated>
<published>2022-01-01T00:00:00Z</published>
<summary type="text">Verbal Arts and Storytelling in Mouloud Feraoun’s La Terre et le sang (1953)
Naar Gada, Nadia
</summary>
<dc:date>2022-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Precarious Dialogues with “Inner Plantation” in Kara Walker’s Silhouette and Sculpture Installations</title>
<link href="http://hdl.handle.net/20.500.11956/179040" rel="alternate"/>
<author>
<name>Sabitova, Valeriya</name>
</author>
<id>http://hdl.handle.net/20.500.11956/179040</id>
<updated>2023-12-21T02:20:43Z</updated>
<published>2022-01-01T00:00:00Z</published>
<summary type="text">Precarious Dialogues with “Inner Plantation” in Kara Walker’s Silhouette and Sculpture Installations
Sabitova, Valeriya
</summary>
<dc:date>2022-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>“Everybody’s Just Working the Marks, Brother”: A Kayfabe Reading of Social Identity, Performativity and Performative Identityt</title>
<link href="http://hdl.handle.net/20.500.11956/179039" rel="alternate"/>
<author>
<name>Gilbert, Russell</name>
</author>
<id>http://hdl.handle.net/20.500.11956/179039</id>
<updated>2024-01-12T02:24:06Z</updated>
<published>2022-01-01T00:00:00Z</published>
<summary type="text">“Everybody’s Just Working the Marks, Brother”: A Kayfabe Reading of Social Identity, Performativity and Performative Identityt
Gilbert, Russell
</summary>
<dc:date>2022-01-01T00:00:00Z</dc:date>
</entry>
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